Integral ending

I recently read a book. I loved it; a cynical, jaded, altogether unsympathetic main character made through sharp dialogue and subtlety in action into the anti-hero you want to cheer on, even if he’s doing all the wrong things.

Then the ending happened.

I won’t say it was a bad ending. It tidied everything up neatly, took care of all the problems, and set the (remaining) characters off on their way with the right degree of this is completed, but there’s more for these people in life. Still, the ending. It niggles at me as too quick, too wrapped up. It rushed through a somewhat surprising turn and almost seemed to state, “There. All the loose ends have been taken care of. Are you satisfied?”

The answer to my imagined question is, unfortunately, no. Not really. The ended could have, and from my perspective, should have been drawn out further. The final chapter lacked the same wry interaction (largely because most of the characters died), and I felt like the protagonist began acting outside of his normal bounds, without a proper reason. Oh, sure, I know what part of the story was meant to act as the turning point, his trigger to behaving a little more compassionate. But I didn’t believe it.

Just because I can identify the when and why of this character’s motivation doesn’t mean I buy it.

Maybe that’s me being weird. Maybe it’s my background in psychology making the developments ring false. I would probably need to re-read the book, perhaps even several times, before I could pin down exactly what throws me about the ending.

Nevertheless, I’ve learnt something from this story, which I still think is pretty awesome. The ending is actually the most important part of your story. It’s the last taste we get of your characters, and the world they are in. It’s the part which will linger, because it’s the freshest in our memory. A weak ending could very easily ruin an otherwise good book.

Cue writer’s paranoia! Does my ending measure up? Have I made it too obvious and forced that all the pieces are coming together and being taken care of? Does it finish at the right pace?

It’s a wonder I’ve survived being an author as long as I have. Egad.

~A

The cost of creation

Natasha McNeely triggered a lengthy tangent in my mind; one I’ve been considering rather in-depth for a long time, and moreso in the last few days as I truly begin to weigh my options in publishing. Natasha talks about e-book prices, and her take on appropriate cost.

Firstly, you all get a disclaimer: this is just my thoughts, from a personally inexperienced perspective, yet with the backing of a whole lot of research and sense of pride in storytelling. There. Now, onto my rambling.

There’s nothing wrong with the $0.99 price point. There are valid reasons for using it, including drawing in new readers, and letting people get a relatively risk-free taste of your work. After all, isn’t it exceptionally easy to justify dropping a dollar on an e-book, just to see if you like the writer’s style? I know I’ve done it.

However, there is a catch. Many, in fact.

As I outlined to my husband when we were setting up his freelance illustrator rates, you need a wide scope for what the client, or consumer, is actually paying for. When you are an artist, whether through images or words, you have years of experience and learning behind you. The buyer is purchasing a quality product because you have a decade or more practice put into your craft. By asking for a fair price, you are giving value to the sheer amount of dedication necessary to perfect your art.

Then there are subtle overheads. The tools required to produce your product. A computer, with peripherals and software; a desk, pens, paper. Electricity, an internet connection, and a workspace. Even if you had all of these things before you started writing, using the home computer in your lounge room, they are still business costs. You could not offer an e-book without paying for those things at some point.

There are also literal costs in producing and marketing a finished e-book. You might get lucky and not have to pay for all of them, or you might go all-out and use most of the following (and more): cover art, editing, formatting, uploading/account fees, advertising including business cards or other little handouts like bookmarks (which require design and printing), a dedicated website, the list goes on.

After all that, the writing itself must have value. It must. You did not spend a year or longer writing this one specific book, to see no returns on your personal effort. Now, that’s not to say value is inherent in money (quite the opposite), but this is an important element to consider when offering your e-book for under a dollar.

I believe an e-book novella deserves to cost up to $5.00, with novel-length works going anything up to $15.00. I’ve been happy to pay $15.00 for an e-book I especially wanted, and will probably do so again. I also believe the lure of a cheap first book should come when you already have a backlog of work available; that way, readers can buy more of your writing while it’s still fresh in their mind. Will they remember to come back in a few months time, even if they liked their $0.99 purchase?

Just as a new author releasing a paperback will not sell their first book for less than its worth, as a book, as a complicated, dedicated creation, independent writers most certainly shouldn’t be expected to sell their e-books at a devaluing rate.

~A

Oops

I guess it’s been a while since I updated. I have a perfectly valid excuse! No, I really do.

I spent the final four days of 2011 editing. Almost non-stop. Thursday and Sunday both came and went in a flurry of words. Reading, cutting, adding, cutting, changing, reading reading reading. For me, editing fiction is a very particular activity. I have come to terms with the fact that it will never be a tidy process.

On New Years Eve, I ran around outside with some sparklers at approximately 9pm, Perth time. I have more of a tradition of celebrating New Years with Sydney, who are three hours ahead of us at this time of year, than anything else. This is simply because I would normally be asleep for any celebration here! This year, I greeted the turn of midnight in my hometown still editing. Approximately twenty minutes later, I touched the last line and declared it a success! I’d reached my goal!

I woke to the first day of 2012 with my mind buzzing; I knew something I needed to go back and modify more. I often wake up with story ideas, since my subconscious is very well trained in making adjustments and working through problems in my writing. My sleeping mind was totally right, and I spent all of yesterday editing even more.

Last night, I provided my beta readers with their copy of the story. I hope to hear back from them pretty quickly about their initial impression, and just hope I haven’t overlooked some kind of atrocious error! But honestly, I am confident in the place my story has come to, and I am really looking forward to getting right back into drafting book two.

At the end of the second draft, traditional means of word count estimation puts TDM at 54,500 words. Yes, that breaks free of being a novella by 14,500 words. I knew when I began editing that this story would stretch to become a short novel, and I simply had to accept the fact. It changes what I will do with the series, slightly. I haven’t made any firm commitment to how I want to publish TDM, and won’t until the final edit is complete!

In the meantime, I have a sequel to write.

~A

New book from N.M. Martinez, plus more!

The Two Brothers is the brand new companion novella to Nina’s debut novel, Ruin. This story gives us an insight into intriguing characters met in the world established by Ruin. The Two Brothers is available now! Check the official website for more details.

Click here for The Two Brothers, part of the Ruin series.

Katy-Rose Hötker has another of her flash fiction pieces in print, now available in the Daily Frights 2012: 366 Days of Dark Flash Fiction (Leap Year Edition) collection.

~A

New book from Natasha McNeely, plus more!

A Glimpse of The Dark is a collection of short stories with a dark fantasy theme by our resident Ancient Egypt aficionado, Natasha McNeely (check the Favourite Reads sidebar for her blog!). You can purchase her new e-book through the following link.

Click here for A Glimpse of The Dark

Katy-Rose Hötker also sees one of her flash fiction pieces in print, now available in the Daily Flash 2012: 366 Days of Flash Fiction (Leap Year Edition) collection.

~A

Book websites and the art of covers

As regular readers know, I’m really big on making stories with a high degree of supplemental media; art, music, interactive websites, whatever works with that book. That, to me, is the ideal aim with most written work. Not because it needs it, but because it meshes together so well to create a larger experience for a fan.

Stephen King’s latest offering is titled 11/22/63. While I really kind of love making a date the title to a book, so many parts of the world work with the format of day/month/year, so it encounters the problem of not being universal. Nevertheless, the title is so interesting on its own, I actually clicked the link in one of my bookstore subscription newsletters just to find out what it was (I know, I’m awfully sheltered from industry news at the moment).

I admit, the cover art came as a surprise. The US get a very striking cover, torn paper, cream, red and black colour scheme, a nicely “aged” look. It’s a strong cover, good layout, very bold and appealing. I really love it.

Then we get… a lens flare? No, no, no, no, really. A lens flare, made to look like it represents some kind of time warp, since the story is based around a character who goes back in time and all. Having seen the fantastic cover art for the US release, I cannot express how disappointing the UK/Aus artwork is to me. The only striking thing about it is how someone could have honestly thought using a standard lens flare on this novel was a good idea.

It’s not that lens flares are inherently bad, it’s just they are so overused, and so basic. That artwork would have taken a proficient computer artist all of a minute to create, with no exaggeration. Of course that’s disappointing. What made them think our market is so different that we wouldn’t love the original US cover?

Complaints aside, there is a very neat website associated with this book, and it made me super happy to see other authors leaning the same direction and including a greater degree of content to accompany their books! Have a little click around 11/22/63 and see the awesome touches around the site!

~A