Three, two, one, let’s jam

We have launch on Qualia Nous!

There was a surprising info leak two days back, that the mammoth science fiction and horror anthology was available to purchase on Amazon before the “official” release of the book. Word from the publisher, Written Backwards, is that the contributors told the world, and sales bloomed.

Whether you want to catch my story in the anthology, or read the phenomenal work from my co-contributors, or wish to enjoy yet another brilliant project coming out of Written Backwards, Qualia Nous is here and ready to make an impact.

Buy your copy now.

Happy release day to editor and writerlings;
Michael Bailey
Stephen King
Usman T. Malik
Gene O’Neill
Emily B. Cataneo
Erik T. Johnson
Ian Shoebridge
D.J. Cockburn
John R. Little
Jon Michael Kelley
Lori Michelle
James Chambers
Jason V Brock
Marge Simon
Peter Hagelslag
Christian A. Larsen
Max Booth III
Richard Thomas
Erinn L. Kemper
William F. Nolan
John Everson
Pat R. Steiner
Paul Anderson
Lucy A. Snyder
Rena Mason
Thomas F. Monteleone
Patrick Freivald
Mason Ian Bundschuh
Elizabeth Massie
and Gary A. Braunbeck
Know that it’s an absolute pleasure to share the pages of Qualia Nous with all of you.

~A

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The names, the names!

The names, the names! So many names.

Prepare yourselves.

The prodigious publisher, Written Backwards, will welcome Qualia Nous to print in the following month (released by early September). I am purely giddy to be a part of this anthology, sharing pages with writerlings I call my friends, as well as names I have admired from afar, and new authors to enjoy.

And it’s going to be huge. Not just because the Table of Contents is topped by Stephen King himself, but we look forward to a 454 page delight of science fiction / horror. I am so ready.

From the official announcement, here is the final line-up.

Michael Bailey with the introduction “0-1”
Stephen King, with a novelette titled “The Jaunt”
Usman T. Malik, with “The Vaporization Enthalpy of a Peculiar Pakistani Family”
Gene O’Neill, with “The Shaking Man”
My own story, “Dyscrasia”
Emily B. Cataneo, with “The Rondelium Girl of Rue Marseilles”
Erik T. Johnson, with “The Angel Chaser”
Ian Shoebridge, with “Psychic Shock”
D.J. Cockburn, with “Peppermint Tea in Electronic Limbo”
John R. Little, with “Second Chance”
Jon Michael Kelley, with “The Effigies of Tamber Square”
Lori Michelle, with “Shades of Naught”
James Chambers, with “The Price of Faces”
Jason V Brock, with a novelette titled “Simulacrum”
Marge Simon, with the poem “Shutdown”
Peter Hagelslag, with a novelette titled “Lead Me To Multiplicity”
Christian A. Larsen, with “Cataldo’s Copy”
Max Booth III, with “The Neighborhood Has a Barbeque”
Marge Simon, with the second poem “Tomorrow’s Femme”
Richard Thomas, with “The Jenny Store”
Erinn L. Kemper, with “Night Guard”
William F. Nolan, with “A New Man”
John Everson, with “Voyeur”
Pat R. Steiner, with “Kilroy Wasn’t There”
Paul Anderson, with “In the Nothing-Space, I Am What You Made Me”
Lucy A. Snyder, with “Dura Mater”
Rena Mason, with “Ruminations”
Thomas F. Monteleone, with “Good and Faithful Servant”
Patrick Freivald, with “Twelve Kilos”
Mason Ian Bundschuh, with “Breathe You In Me”
Elizabeth Massie, with “18P37-C, After Andrea Was Arrested”
and Gary A. Braunbeck, with a novelle titled “No Fixed Address”

Wow. Yeah. Wow.

~A

Book websites and the art of covers

As regular readers know, I’m really big on making stories with a high degree of supplemental media; art, music, interactive websites, whatever works with that book. That, to me, is the ideal aim with most written work. Not because it needs it, but because it meshes together so well to create a larger experience for a fan.

Stephen King’s latest offering is titled 11/22/63. While I really kind of love making a date the title to a book, so many parts of the world work with the format of day/month/year, so it encounters the problem of not being universal. Nevertheless, the title is so interesting on its own, I actually clicked the link in one of my bookstore subscription newsletters just to find out what it was (I know, I’m awfully sheltered from industry news at the moment).

I admit, the cover art came as a surprise. The US get a very striking cover, torn paper, cream, red and black colour scheme, a nicely “aged” look. It’s a strong cover, good layout, very bold and appealing. I really love it.

Then we get… a lens flare? No, no, no, no, really. A lens flare, made to look like it represents some kind of time warp, since the story is based around a character who goes back in time and all. Having seen the fantastic cover art for the US release, I cannot express how disappointing the UK/Aus artwork is to me. The only striking thing about it is how someone could have honestly thought using a standard lens flare on this novel was a good idea.

It’s not that lens flares are inherently bad, it’s just they are so overused, and so basic. That artwork would have taken a proficient computer artist all of a minute to create, with no exaggeration. Of course that’s disappointing. What made them think our market is so different that we wouldn’t love the original US cover?

Complaints aside, there is a very neat website associated with this book, and it made me super happy to see other authors leaning the same direction and including a greater degree of content to accompany their books! Have a little click around 11/22/63 and see the awesome touches around the site!

~A