Category: Writing

The results are in!

Posted on by Ashlee Scheuerman in Writing

On this fantastic December first, I will take the time to reflect back on the month of editing I (sort of) accomplished! I have technically been editing for five weeks, but during that period, I missed enough days to constitute an entire week. November has never been the best month for me to work…

I haven’t made it all the way through the story. Indeed, these past ten days have been editing the same chapter, over and over. It’s kind of an important part of the story, you know? I think I found my rhythm, hit my stride, and whatever other clichéd expressions you’d like. The only problem there, is, my style is repetitive and mildly obsessive. Read, edit, pick at each word, add detail, cut everything remotely superfluous, keep only the sharp and essential and the very carefully written. Do it all again tomorrow. Stories, I’m finding, are a very special kind of compulsion.

Every pass I take, it gets better. I can assure you of that much. But I’ve also discovered editing this closely means I often need to go further back, re-read, make sure the connections are all there, the references all make sense. So it takes a very, very long time to make even minor progress. Naturally, every time I do go back, I find something small to change. A little edit to make. Something which might not make quite enough impact gets altered.

Right now, I am still three chapters from the end of the book. My word count total has gone up by almost five thousand words, on top of everything I’ve cut and re-written into concise, clear sentences. I suspect, with the amount of changes I’ve made, the full amount of words I’ve actually written is well over double that number.

I can’t tell how much longer this will take to finish. I like to imagine the last three chapters will zoom by, but instinct tells me they are the ones I will be prying at the most. I can get a lot done with a good chunk of free time at my hands. I will be setting aside some extra writing time, specifically so I can guarantee this edit is finished before Christmas. Things get way too crazy in this household for the holidays, and I’ve honestly started to feel really inspired about working on book two of the series.

And that means, in a few months, I’ll be doing this all over again. Oh lord. Writing really is glorious, delirious madness.

~A

Whipping Your Words, a guest post from Katy-Rose Hötker

Posted on by Ashlee Scheuerman in Blogging, Other Writers, Writing

Today’s guest post comes from my lifelong friend, Katy-Rose. We have been on parallel life-paths since the time we met; both five years old and instant friends. Katy-Rose is building her writing dream and running Faery Allure, a small jewellery business, in between the exciting experience of first-time motherhood, and starting The Hidden Grove organic produce farm with her husband. Thank you for the guest post, and all these shared years, Katy-Rose!
~A

I could never write short fiction, at least, I always found it difficult. I’ve more often than not been guilty of letting my words run away with me. They can be so beautiful and meaningful, how do you let go? Why would anyone want to reign in their language? The answer to that question is, to achieve better potency! Our words are more memorable and our stories more succinct when we whip them into shape.

I was raised on epic high traditional fantasy. I devoured it in my teenage years. Hungry for its rich detail and lush world building! It’s a genre that affords a fair amount of verbosity and flowery description. However, as the years have passed, my taste in fiction has expanded. I’ve started reading Young Adult fantasy. And YA fiction is a different creature entirely!

The wording of a novel aimed at a vastly teenage readership is a lot snappier I’ve found, in comparison. You must immediately engaged your audience. You must grab them by the shirt collar and pull them through the worm hole! There’s no time for long-winded explanatory prologues, epilogues and appendices. Your intended reader must be sucked in and not want to put that book down. It must be like a quick fix, full of excitement. The stakes must be high. Your audience wants to feel involved.

From my journey through these genres and my current life circumstances, (think newborn and a fledgling business) I decided to put my novels on the shelf, bad pun intended, and began seeking out fiction that would sate my love of an epic snappy story, with body and heart, without the 60-300k word count. It was at this time I found a new respect and love of short stories, and the new kid on the block, flash fiction. These formats allowed my imagination to run wild, but on the clock. I could continue to fit reading and writing into my day.

I began to try my hand at flash fiction myself and found, much to my genuine surprise, that it was easy. It flowed without obstruction from my mind to the page! I couldn’t believe it, I still can’t. For the longest time, shorter fiction, let alone a form of micro fiction, was a ‘no go’ zone for me. It was all or nothing. I was going to write and read epic traditional high fantasy my whole life. Needless to say, I’m glad my taste in fiction has widened. Variety is the spice of life!

So the key to writing shorter stories in my experience, is to write a tale that you would enjoy immersing yourself in, on a limited time budget. Instead of that fifteen minute bus ride to work being a great sullen bore, why not forget reality for that time and enjoy a quick story? Write that story and others will want to read it. We are all escapists at our core. We all dream great dreams and imagine the seemingly implausible. But sometimes big dreams and lengthy tales have to be put on hold, and this is where our smaller, every day dreams step into the limelight and it’s when short fiction shines. It fills an otherwise unoccupied niche in the reader market.

Whip your words into shape and not only will you have an engaged and entertained audience, but also a very satisfied one. One that will possibly commit your name to memory and look out for longer works of fiction by you in the future when you eventually get the time!

You can find some of Katy-Rose’s flash fiction in these upcoming publications!
“Lunar Cry” in Daily Frights 2012: 366 Days of Frightening Flash Fiction (Leap Year Edition) from Pill Hill Press.
“Midnight Allure” in Daily Flash 2012: 366 Days of Flash Fiction (Leap Year Edition) from Pill Hill Press.
“Sweet Delirium” in Short Sips: Coffee House Flash Fiction Collection (Volume 2) from Wicked East Press

Book websites and the art of covers

Posted on by Ashlee Scheuerman in Other Writers, Writing

As regular readers know, I’m really big on making stories with a high degree of supplemental media; art, music, interactive websites, whatever works with that book. That, to me, is the ideal aim with most written work. Not because it needs it, but because it meshes together so well to create a larger experience for a fan.

Stephen King’s latest offering is titled 11/22/63. While I really kind of love making a date the title to a book, so many parts of the world work with the format of day/month/year, so it encounters the problem of not being universal. Nevertheless, the title is so interesting on its own, I actually clicked the link in one of my bookstore subscription newsletters just to find out what it was (I know, I’m awfully sheltered from industry news at the moment).

I admit, the cover art came as a surprise. The US get a very striking cover, torn paper, cream, red and black colour scheme, a nicely “aged” look. It’s a strong cover, good layout, very bold and appealing. I really love it.

Then we get… a lens flare? No, no, no, no, really. A lens flare, made to look like it represents some kind of time warp, since the story is based around a character who goes back in time and all. Having seen the fantastic cover art for the US release, I cannot express how disappointing the UK/Aus artwork is to me. The only striking thing about it is how someone could have honestly thought using a standard lens flare on this novel was a good idea.

It’s not that lens flares are inherently bad, it’s just they are so overused, and so basic. That artwork would have taken a proficient computer artist all of a minute to create, with no exaggeration. Of course that’s disappointing. What made them think our market is so different that we wouldn’t love the original US cover?

Complaints aside, there is a very neat website associated with this book, and it made me super happy to see other authors leaning the same direction and including a greater degree of content to accompany their books! Have a little click around 11/22/63 and see the awesome touches around the site!

~A

How do you edit?

Posted on by Ashlee Scheuerman in Writing

With only three chapters remaining until I’ve completed my second draft of TDM, I’m getting that niggling feeling I might be missing something, or going about this all wrong. I don’t know where these thoughts come from! I can’t explain the irrational doubts which enter my mind. I’ll be working away merrily, then BAM. “Do you even know what you’re doing?”. The answer to that is a resounding no, but we can all agree that none of anyone knows what they’re doing, so it’s all okay.

But to sate my curiosity, and my innate need to compare, I thought I’d just put it out there: how do you go about editing a manuscript?

I started out by reading the whole story. At least, I think I did. There’s a very good chance I got half way (or less) through it before I started making changes. I’ve been trying to work methodically, start to finish. At the beginning of a session, I will go back a scene or two and refresh my memory and get into the groove of the story before I edit further.

There have been many instances where I’ve changed something, and had to go back to much earlier in the story to modify something small for accuracy. Or worse, browse through the previous chapters to figure out what I already wrote, sometimes because I just need to verify my own memory, and sometimes because I can’t recall exactly what I changed.

It feels like a whole lot of back-and-forth. Am I doing something wrong? Is this the normal way to edit? Am I just terribly neurotic? (Yes.) Will this all get easier with practice, or am I going to be stuck with this method forever?

I’ve mentioned in another post how I love to collect and save words of wisdom and inspiration (Just half of a fully forgotten memory). One of the gems in my collection comes from INTERN’s NaNoReVisMo (another alternate to InSecDraMo). I can take a lot of comfort in seeing what INTERN deems vital during editing, because I can compare notes and see that I’m doing a whole lot of what she’s mentioned. That’s important! My feelings are being validated! I might almost be on the right track!

But let me know what you get up to when it’s time to polish your story.

~A

Half way points

Posted on by Ashlee Scheuerman in Writing

In the spirit of InSecDraMo, I thought I’d stop in today and give you all a mid-November update!

Okay, to be fair, I (re)started editing TDM on October 27th, so I got five days headstart on the ol’ month of writerly work, but that goes a little way toward off-setting the problem of Halloween a couple of days later, then my wedding anniversary and birthday falling in this month and taking me away from work (rightfully so, I suppose). For November itself, I’ve missed four days. I’ve added over 3,500 words to my manuscript, and cut or changed innumerable more (meaning I have no way of keeping track of exactly what I’ve cut, re-written, or replaced).

In terms of actual editing, I am more than half way through the book. There’s no accurate measurement for editing-to-word ratio, since I know for a fact that I will be adding in certain scenes further in the story, thus upping the final count. As far as current word count goes, I’ve edited up to the 57% point. That is a VERY good feeling.

For InSecDraMo, that would mean I’m ahead of schedule, and doing a mighty fine job of it! I admit, I’m struggling a little at the moment, and that’s a big part of why I’ve missed days. This chapter is amazing and totally awesome, but still desperately needed a hard edit. There were things I’d decided I needed to change, no question about it, and it’s just hard to add those elements in when it temporarily mangles an otherwise epic scene.

The story will still need work later on, but it’s definitely getting somewhere. I am still so in love with these characters, and the situations they are getting into make me some kind of gleeful maniac. It’s all a little mean, but an author has to do these things to the ones we love best! Right now, I think I have an excellent chance at reaching my editing goal and have it ready for my betas to read at the end of the month. Exciting! I know at least one of them is eagerly awaiting this story.

~A

A step into the past

Posted on by Ashlee Scheuerman in Writing

Revealing character insights is a very complicated business.

I come to a “flashback”-style moment in my book, I don’t know if I want it. Is there a better way to integrate that information? Can I make it more seamless? Or is it fine to just have the main character narrate their reminiscing? I don’t know, because I’m too close to it, I don’t have an objective opinion when I’m so deep into editing. No one else will know the answer without reading the story, but I don’t want to give it to my betas yet. It’s not ready for that read-through.

I already know that a very clever author will provide insights like the one I am debating, in a way that doesn’t disrupt the momentum of the scene. Does this flashback take too long? Does it disrupt the flow? I can’t figure it out. It seems to sit well enough, and it’s not totally unique in its delivery.

The degree and speed of which I wish to divulge information is one of those tricky things. I don’t want to dump all the character’s knowledge and feelings at the beginning of the book; there are more natural, poignant moments to reveal certain elements. But I also don’t want to take too long to establish the early motives of these characters. I don’t want it to be one of those books that someone else reads, wondering, “Why would these people do this?”. I’ve experienced that with other people’s stories, and I know I want to avoid it in mine.

I can try re-writing, or I can carry on. This won’t be the only edit the story sees, so it isn’t completely essential to figure it out right now. But it gets me all tangled.

~A