Reasons I am a writer: 1

I love people-watching; writing stories is the ultimate way to apply the knowledge I have acquired, and watch the characters respond in exciting ways.

I’m more than a little bit sadistic when it comes to fictional entertainment. Putting characters into terrible positions and then making things get worse leaves me cackling. Literally. With perverse glee.

Books were one of my first loves. My memory isn’t so great for detail, which means I get to make myself the stories I want to read, and still feel some excitement and amazement when I reread the work after a while.

I have ideas, whether I want to or not, so it’s really gratifying to be able to put them to use. I feel an overwhelming sense of pride when I look upon something I’ve written. I’ve used my time well. I’ve been stubborn and persistent and it’s culminated with something awesome.

Just some of the reasons I am a writer! What about you?

~A

This goes out to the Gunjin

Back in the days of old, I hung out with a lot of text-based role players. Amidst this group were a particular crowd who role played as magic users and warriors, demons and beasts of ill-imagining. Their purpose was to write the most epic battles you could imagine.

I dipped my feet in and wrote in a couple of battles. Would you believe, some people shy away from fictional text-hitting a girl? In a setting where this attack is meant to happen? Well, I experienced that, at least once, much to my character’s dismay. She was ready to bring it, but her opposition barely came to the party. I also role played as quite a few insane characters, which made text-battling very, very fun. In fact, characters of dubious mental stability have become a recurring theme. They are just too deliciously entertaining to write!

I also spent a lot of time as a designated panel judge for major battles and writing “tournaments” for this group. In this role, I learnt a lot about another side of writing. Because part of my job was to explain exactly why one person’s efforts in the ring had been superior to another’s, I had to understand what I was reading and why it worked or didn’t. I broke down a lot of work in that position, and analysed the description, movement, ferocity; the creativity, environmental use, and especially, the give and take of a battle. It taught me a lot about writing fight scenes.

One of the most important factors to me was always how untouchable a character was or wasn’t. There’s nothing great about a character who is never hurt, never at risk. If a writer remembers to let their character take a good beating in the middle of their turn and still overcome while considering the disadvantaged they’ve just written in, it’s going to be a thrilling battle. Nothing else works on the same level as seeing a character trampled, then still manage to fight back. Observe any successful action film and you’ll probably see this, well, in action.

The Damning Moths is no stranger to battles, and a lot of the essential elements for a good fight can harken back to my days of role playing. I know, those dudes won’t ever see this: but thank you. You can’t imagine how fondly I remember you, and miss you, and think of those who taught me the most when I’m in the middle of having my characters tear each other apart. Thank you.

~A

Ups and downs

The problem with trying to be positive about the achievements I’ve already made, the goals I have reached, and the work I have successfully completed, is that I am still all too aware of what I haven’t gotten around to doing yet.

I know, only so many hours in the day, busy person with many responsibilities, Life constantly getting in the way with a relatively challenging year behind me. I do know that. It doesn’t help knowing exactly why I am still behind on what I intended by this point. Being able to catalogue my positives doesn’t erase the comparable negatives.

I do try to stay up-beat about things, of course. After all, I’m sitting on a really engaging fantasy series which just requires patient attention to get the first book out there. I keep myself sane by working out numerical estimates. Check the amount of words remaining, divide by page averages, calculate how many weeks it will take me if I cover the bare minimum every day. It gives me the sense of an ending. This isn’t going to be forever. There is a point within reach where things will be finished. And it’s not too far away, even just getting through a single page each day.

I have the trouble of impatience (I know, I’ve talked about that too much already), which means I bury myself amidst a mound of doubt when things hit delays. Today’s lesson is: stop measuring myself at my peak rate. It makes me feel bad when I can’t maintain the pace because uncontrollable things cropped up in the meantime.

I just need to trust in myself, and in the Universe, that the overall plan is going just fine. As long as I show up for the minimum each day, just one little page, there will always be forward progress. Chipping away.

~A

The amazing, beautiful depression of book three

Book three of The Damning Moths Anecdota was actually what started me writing the series. I’ve known certain things about this book since the moment of conception; scenes which would be integral to the overall plot. From these seeds, much of the world lore and characterisation was born.

Last night while at work, a lot of book three happened in my head. Certain key scenes in books one and two carry over emotionally into the main points of the third story. Things were just right for me to follow these scenes and understand the direction of this story arc.

This morning, as usual, I sat down to work on The Damning Moths and hunted for some appropriate music. I came across the perfect song for the culmination of last night’s ideas, a song which just broke all of my plans to edit and demanded I write this book. It isn’t just one of those “make notes and get to it later”, this is all-consuming. Depending how you see the situation, this is either awesome, or really unfortunate, because I have written a lot, but edited very little.

I’m a big believer in taking what’s offered to you; if my mind is fixed on these parts of the third book, I might as well write them. And they have come out smoothly, without effort. The setting is all there, and I have reached “Flow”. Nothing like writing completely out of order! Also, this book is depressing as hell. You’re all forewarned. Book three. I knew it would be this way, but I have had a few moments of wondering how I can possibly love my characters so much when I’m doing this to them.

I am definitely a tragedienne; the one prone to choosing tragic roles. I revel in sad music, my favourite stories kill, maim, or impossibly wound my favourite characters, and this definitely shows in my writing. There’s a lot of struggle and sadness for my characters. It all makes me love them more, though. To have them experience loss and death and their own melancholic realisations. The actions of other characters. Challenges they don’t know if they can survive. And speckled in between are the moments of light and love and happiness to contrast all the parts which make me pause, close my eyes, and feel an echo of their pain. Writing is hugely emotional, especially when the right song is on repeat for hours at a time.

With things the way they are going, I should manage to get these scenes out of my system with plenty of time left to get back to editing, and then I have all this head start on the third novel… when I am finally meant to be writing it.

~A

Redefining: Expectation

I can want everything to be “just so” all I like, but expecting it to happen that way is something else entirely. When I expect something to work a certain way, I’m just setting myself up for irritation and disappointment because I lose sight of the fact that I cannot have ultimate control over everything!

There is a difference between planning and expectations. When goalsetting, you’re meant to have identified a reachable achievement and be aiming for that outcome. Expectations are sometimes just irrational demands on yourself. And the longer I let myself think in terms of expectation, the harder it is when things just don’t go the way I wanted.

Perhaps this is just a distinction I have come up with. Maybe other people don’t see any variation between “planning for” and “expecting to”. However, I certainly do, and it’s something I should be more aware of when thinking about my future. Much in the way of deadlines, a lot of expectation is hinged upon timeframes.

So the new idea is to plan for outcomes, but stop imposing expectations on them. Plan to, yes, finish stories when I can, but don’t expect them done in a certain time, or even a certain way. Stop expecting them to come out as a specific thing. Keep working and see what comes of it. Learn, evolve, improve, and always move forward. Plan for a polished, complete work at an indeterminate “end” point, but don’t expect things to come out the exact way I want the first, or second, or even third time.

Most importantly, plan for leniency. Stop expecting a sense of failure when something goes awry. I can’t snap my fingers and force the world to come into line. Plan for Zen. Stop expecting control. Continue, persist, move forward. It’s a relaxing way of thinking!

~A

Redefining: Time

I’m, ah, not precisely a patient person. When weeks worth of effort, nearly two straight months, still hasn’t gotten me where I want to be, it usually takes a lot for me to persist. I might be stubborn, but I’m impatient, and that can make for a bad combination. Often, if something hasn’t come to pass in due time, I will find something more interesting to focus on.

The good news is, I haven’t lost interest in my writing projects, even if they’re taking way too long! Quite the opposite, I’m almost rabidly obsessed, even now. I don’t feel the need to rush off and do something else yet, I just keep heading back and chipping away. Will I meet my deadlines? Nope. Is the end in sight? Only if you can look far enough ahead! I’m just feeling really enthusiastic to have it done, completed, ready to release to the world, and I’m just not getting there in the timeframe I wanted. It’s not coming from a place of anxiety, thankfully, just a real lot of eagerness. I’m ready for the next part, the next book, the next idea.

I know I need to be easy on myself; there have been a lot of extra hours worked at my day job, and that “life” thing has been a pesky distraction more than a couple of times. I’ve managed to do a little bit every day, so there is a build-up of progress. Slowly but surely. I would like to be able to set out the new deadline and know I will meet it solidly, but I really can’t be certain. Even if I average out the previous work, I won’t get a good estimation, because nothing goes along so simply as that!

Instead, I have chosen to redefine my illusion of time. It’s kind of an effort in willfully ignoring the problem of doing anything does take time, since if I stop paying attention to how long it’s taking me, I no longer need to worry about it. I know, this is the opposite way most people feel they should work, but I am entirely aware of how much I do every day (both in writing, and the rest of life), so all it comes back to it “time” being the problem. Henceforth, time’s relative existence is not my concern. It’s all going to happen. Eventually.

~A