Truly happy

As I begin taking steps toward having a novel released, I start wondering about, you know, comparing myself. As I mentioned in a previous post, A little healthy comparison, an author cannot compare certain things. Sales, fans, popularity, success. Not only are these elements largely outside of a persons direct control, they are also subjective.

Sales depend on exposure and marketability (cover art, blurb, author presence), as well as content. Fans are a trickier thing again, but a small and rabid fanbase can do more for an author than a larger, lukewarm group. Popularity comes and goes, for the book, for the author, for the genre. And success, that’s all in the eye of the beholder. Success is determined by what you want, and reaching milestones and goals.

Will I be able to keep that mindset once my book is out there, competing with the rest? Will I stay Zen? I like to think I know myself pretty well. I am honestly, truly happy to support other writers and see them succeed. In terms of what others have achieved before me already; the stack of finished manuscripts, the publishing acceptance, their dream agent, or a roaring independent career, I can say that I only rejoice for them! I can assess what they’re doing, and make decisions about my own path in relation, but I don’t feel grumbly that I’m not there yet.

But it changes when you’re down in the dirt with them. It would be naïve to pretend otherwise. Looking from the outside in might have a twinge of longing beside it, but once you’re actually exposed and, really, once you’re vulnerable, something shifts.

Again, I’m pretty self-aware, as far as I can tell. I don’t believe there will ever come a time where my friendships and admiration for other people and their own writing success will become tainted with jealousy or resentment. I don’t work that way. Sure, I get down on myself when I think I’m not doing so well, but that has little to do with what others are getting out of their efforts. My little stabs of depression are almost universally because I haven’t reached a goal I set out for – even if that goal was a barely half-thought mad idea in the first place.

In the end, it’s not that someone else did – it’s that I thought I could, and I didn’t. Especially if I know I didn’t try hard enough. So here’s to ongoing happiness, even when the competition starts!

~A

A Novel

I absolutely do not write this in criticism, I am purely curious, and to be honest, a bit confused.

I have been seeing more and more book covers include the text “A Novel”. Why? What is it for? What is its purpose?

Is this an artistic flair that’s catching on? Is it because the cover art is ambiguous as a work of fiction, so it is labelled with “A Novel” for clarity? Is it the counter-point to a novel in a collective including the book-series name (the So-and-So Trilogy, or the Whatsit Chronicles, and so on)?

I don’t think there’s anything wrong with the act, though from a personal standpoint, it’s a superfluous line of text on a cover, and I prefer the least amount of text necessary to be on a front cover. But that’s me. The traditional industry likes to include blurbs (as in, a snippet of a quote from someone influential) on the front, or identifying information: “Award winning author of This Other Book”, or “International Best Seller”.

Frankly, I have never cared if an author is an international best seller, or has won awards (except in conversation when I’m trying to drive home the point that an author is kind of a big deal, even though the person I’m talking to has never heard of the writer before). To put that kind of text on a cover just irritates me; it’s wasting space, and often ruins an otherwise well-balanced layout. But that’s kind of off the subject.

I can’t see a reason to have “A Novel” placed right up there on the front. Why did the designer make this obvious statement? The description will indicate that it’s a fictitious narrative. I’ve never bought a novel without reading the description/back cover, so it’s not as though I will misunderstand the book is an invented (or exaggerated) story by the time I’m considering reading it. Also, I’m sure it’s happened, but I don’t recall seeing any which say “A Novella”, or “A Novelette”.

If I write something that’s 300,000 words, can I use “A Hypernovel” on the cover? (The answer to that is no, because if Jonathan Strange & Mr Norrell by Susanna Clarke manages to have just “A Novel”, nothing can lay claims to a larger novel classification.)

If anyone has insights, I’d love to know. I may never view “A Novel” as something entirely valid to include, and I probably won’t pass any particular judgement on the book if the label is present, but I certainly notice it. Every time. Thus, I am curious.

~A

Mind maps, how I love thee

FreeMind saved my sanity.

I had been turning the thought over in my head for ages: how could I personally organise all of my series ideas into something cohesive? I have a very expansive world built, I have a large over-arcing plot in place, and I have a cast of characters as long as my arm. But I had not been able to lay it all out neatly and look it over.

I’ve tried index cards. They only work for me in very select situations. For instance, indexing a single-sentence summary of each scene through my finished draft to find dead zones, areas where no particular action occurred. If three scenes in a row turn out to be discussion or travelling, I can see that right at a glance and spice it up. Change where that information is shared. Throw in a different scene between them.

I have tried various programs designed to be used to track plots and outlines. Most of the writer/story programs drive me to distraction. I want simplicity, yet I need a lot of control. Not much software is designed for basic use with a high degree of customisable features. The software designers think they’ve stumbled across a great way to do this one thing, and it won’t be the one way I’m looking for. I know I’m picky, so if it doesn’t work, I shrug and move on.

I have even attempted to write things out on large sheets of paper, but there’s no way I can keep something like that tidy. Besides, who has the time? I could be drawing out huge diagrams, or I could be writing! Or… crocheting. A lot.

Eventually, I remembered an article I read back when I first discovered my favourite novel-writing software, yWriter. My love for yWriter is all kinds of special, but that’s not what helped me organise the quagmire of my chaotic plot, characters, and various world events. Simon Haynes (author, and programmer of yWriter) wrote about his own methods, in Plotting a Novel.

When I first found that article, I used FreeMind for a project, then promptly forgot about the program. When I went back to Simon’s page, it was a lightbulb moment; of course, why wasn’t I using FreeMind? I already knew how well it worked for me, using a system of organisation very similar to the one Simon discusses (with examples!) in his article.

Needless to say, I went ahead and fired up FreeMind right away. After inputting just a little fragment of the important information for The Damning Moths, I felt a lightening from my mind. It was getting all laid out. Nice and neat. Right where I could see it and feel like I’m not going to miss anything. Mind maps are great.

~A

Newcomer

As if Surviving the End was not already awesome enough, there’s been a surprise last-minute addition to get excited about!

News delivered from the Dark Prints Press Facebook Page! The illustrious list of authors in our post-apocalyptic horror anthology will now be joined by a piece from Jonathan Maberry. Still slated for a release this April (goodness, only two months to go!), I’m seriously enthusiastic about reading the full collection.

Every now and then, I will re-read my short story, Harvest. My memory is vague enough that I don’t remember the exact way it was written, the precise pacing, each particular word choice. I enjoy re-reading for that reason – even when it comes to my own work, it would seem! I still like this story, partly for its difference to my other writing. Different character types and interactions. Different motivation for the story itself. It borders on frantic, and I’m still left grinning like a maniac at the end. But maybe that’s just me.

And, of course, I’m looking forward to everyone else getting a chance to read it as well!

Here’s the updated list of stories included in Surviving the End:

Joseph D’Lacey, with a novella titled “The Failing Flesh”;
Jason Nahrung, with “The Last Boat to Eden”;
Martin Livings, with “Unwanted”;
Amanda J Spedding, with “The Long Ago”;
Michael Bailey, with “Hiatus”;
Kathryn Hore, with “The Stuff of Stories”;
my own story, “Harvest”;
and now, Jonathan Maberry, with “The Wind Through the Fence”.
Not forgetting the Story Keeper himself, Craig Bezant, adding in the interludes connecting our various stories and bringing the tales of survival together.

April may be just around the corner, but I’m excited and impatient to see the books arrive!

~A

I had a moment

Sometimes it’s the most obvious things which make a sudden, weird impact on me.

People will be reading my work.

Like I said, obvious. That’s kind of the point to writing and publishing and releasing stories out into the world. So they will be read, and hopefully enjoyed. I had a chance to check in with my publisher for the Surviving the End post-apocalyptic horror anthology, Dark Prints Press. They’re full speed ahead for the release of the crime anthology, The One That Got Away, later this month, and they have some great novellas coming out in the near future which I am really looking forward to reading. We talked preorders a little, which was the point where my odd revelation happened.

People have ordered the book which my story is in. People will, in all likelihood, read that story. People I don’t know! Ooh.

Of course, how is any of that different than this blog? Anyone, any person at all with an internet connection, could come here and read the text I am typing right now. Months of my rambling is a available. Ah, but of course, this isn’t my fiction. I give blog posts a quick look-over before I add them. I don’t spend months or years crafting them.

It’s a nervous situation for no legitimate reason. I want you all to read my stories, I really do! I wonder if experienced novelists still feel things like this, or if they get used to the oddities of being an author. Just wait until I have fiction living entirely in its own book. At least with an anthology, I can sooth myself with, “Other, much bigger name writers are in this.” There’s no hiding if it’s all me.

~A