The words which define me

For someone so awfully preoccupied with words, I have a hard time choosing the right ones to describe myself. I recently had to reconsider my “bio”, a short paragraph or two meant to act as a sort of introduction to new readers, or so they say. I’d already written one for when I made my guest blog post for Cynthia Robertson. It was a fine bio, certainly. It said what it needed to. But I’ve never been able to square with the notion of cramming “me” into a tiny string of letters, so it’s hard for me to remain comfortable with those sorts of things for long.

I know that’s really over-simplifying matters, far further than anyone ever should. A bio is only a tidbit. A taste. A minor selection of details that should, in theory, appeal to the sensibilities of the readers of that piece and give them just a little insight into the person behind the text. But what does it express? What does a bio convey to the public, the greater readers who don’t actually get to know you?

Am I the sum of my creations? No, the physical things I make are such a small part of me. Am I defined by the things which surround me? To an extent, that can be true. I got to thinking about this even harder after reading Angie McDonald’s post from her blog, All Adither. 15-word fiction offers a selection of super-tiny stories, giving an insight into something bigger with those bare fifteen words. They are much like micro-bios of a potential whole story. I even took a stab at writing my own.

She wore a guise of ink; staining her fingertips and injecting her body with art.

It took me an embarrassingly long time to come up with that. I had written and discarded several others which didn’t strike me as expressive or poignant, though I was probably just being too critical. This one fleeting line, though… I’m kind of in love. With the idea, with the women it’s about, a woman I am more than a little interested in crafting into a full character and finding her a home in a book. Regular readers and friends of mine will know I love meaningful tattoos, and artworks of all kinds, whether visual or written. She, clothed in ink, is a part of me and entirely separate.

If I spent a very long time, and gave myself a whole lot of poetic freedom, I might come up with a bio which accurately depicts me. At least in a way that I could feel more confident in. Perhaps. In the meantime, I did update the bio on the Who is Ashlee? page, and for the time being, I’m pleased with it.

~A

Book websites and the art of covers

As regular readers know, I’m really big on making stories with a high degree of supplemental media; art, music, interactive websites, whatever works with that book. That, to me, is the ideal aim with most written work. Not because it needs it, but because it meshes together so well to create a larger experience for a fan.

Stephen King’s latest offering is titled 11/22/63. While I really kind of love making a date the title to a book, so many parts of the world work with the format of day/month/year, so it encounters the problem of not being universal. Nevertheless, the title is so interesting on its own, I actually clicked the link in one of my bookstore subscription newsletters just to find out what it was (I know, I’m awfully sheltered from industry news at the moment).

I admit, the cover art came as a surprise. The US get a very striking cover, torn paper, cream, red and black colour scheme, a nicely “aged” look. It’s a strong cover, good layout, very bold and appealing. I really love it.

Then we get… a lens flare? No, no, no, no, really. A lens flare, made to look like it represents some kind of time warp, since the story is based around a character who goes back in time and all. Having seen the fantastic cover art for the US release, I cannot express how disappointing the UK/Aus artwork is to me. The only striking thing about it is how someone could have honestly thought using a standard lens flare on this novel was a good idea.

It’s not that lens flares are inherently bad, it’s just they are so overused, and so basic. That artwork would have taken a proficient computer artist all of a minute to create, with no exaggeration. Of course that’s disappointing. What made them think our market is so different that we wouldn’t love the original US cover?

Complaints aside, there is a very neat website associated with this book, and it made me super happy to see other authors leaning the same direction and including a greater degree of content to accompany their books! Have a little click around 11/22/63 and see the awesome touches around the site!

~A

How do you edit?

With only three chapters remaining until I’ve completed my second draft of TDM, I’m getting that niggling feeling I might be missing something, or going about this all wrong. I don’t know where these thoughts come from! I can’t explain the irrational doubts which enter my mind. I’ll be working away merrily, then BAM. “Do you even know what you’re doing?”. The answer to that is a resounding no, but we can all agree that none of anyone knows what they’re doing, so it’s all okay.

But to sate my curiosity, and my innate need to compare, I thought I’d just put it out there: how do you go about editing a manuscript?

I started out by reading the whole story. At least, I think I did. There’s a very good chance I got half way (or less) through it before I started making changes. I’ve been trying to work methodically, start to finish. At the beginning of a session, I will go back a scene or two and refresh my memory and get into the groove of the story before I edit further.

There have been many instances where I’ve changed something, and had to go back to much earlier in the story to modify something small for accuracy. Or worse, browse through the previous chapters to figure out what I already wrote, sometimes because I just need to verify my own memory, and sometimes because I can’t recall exactly what I changed.

It feels like a whole lot of back-and-forth. Am I doing something wrong? Is this the normal way to edit? Am I just terribly neurotic? (Yes.) Will this all get easier with practice, or am I going to be stuck with this method forever?

I’ve mentioned in another post how I love to collect and save words of wisdom and inspiration (Just half of a fully forgotten memory). One of the gems in my collection comes from INTERN’s NaNoReVisMo (another alternate to InSecDraMo). I can take a lot of comfort in seeing what INTERN deems vital during editing, because I can compare notes and see that I’m doing a whole lot of what she’s mentioned. That’s important! My feelings are being validated! I might almost be on the right track!

But let me know what you get up to when it’s time to polish your story.

~A

Six month blog-o-versary!

Yessir. Way back on May 17th, I got the mad idea to start blogging in earnest. Look where that’s brought me!

I guess this, coupled with my previous post about half ways, is a great time to take a look back over the last six months and what they mean to me…

I’ve met some AMAZING people through blogging and writing in general, and I cannot thank you all enough for being so bright, supportive, funny and intelligent. I love reading your blogs, your comments, and knowing that you’re following along with my funny little journey through life. Hooray for all of you!

To that end, I guest blogged a couple of times, but I’ve been especially lazy about doing more of that since June. I have ideas! I just haven’t put forward any of my proposals to the blogs I’m eyeing off.

I received my first fiction publication contract in July. It’s a modest piece, but it’s a huge step for me. Having something creative accepted and coming out in an awesome physical book is so very different than the non-fiction I’ve previously had published. They cannot compare. Any time I think about my story coming out in April, I still get so excited! It’s only a few short months to go, really. What’s that compared to my to-date lifetime of writing?

Toward the end of July, I completed the full first draft of a novella. I had never intentionally written a novella before, and it was a very different experience to writing a short story or a full novel. August and September swirl together in some kind of terrible hole; one of my lovely cats died, and I caught what was probably swine flu. Bleh. October brought about a rush of creativity in both writing and crocheting, then I got right into editing my novella.

And now? Well, I’m meant to be finishing up that edit, but I got carried away with another little piece today. It’s pretty awesome. I just need to find it a home! I think I know where I’ll submit it, at least to begin with. I’ve even had two of my betas read it already, and they gave thumbs up all around! Awesome!

So. Six months of serious blogging, and I think I can say it’s been successful for me – after all, I’m still doing it! I’ve gotten to say a lot of things, meet great people, and generally share lots of interesting things in my life. That’s an experience I’ve enjoyed, and will continue with. Thanks for being here with me!

~A

Half way points

In the spirit of InSecDraMo, I thought I’d stop in today and give you all a mid-November update!

Okay, to be fair, I (re)started editing TDM on October 27th, so I got five days headstart on the ol’ month of writerly work, but that goes a little way toward off-setting the problem of Halloween a couple of days later, then my wedding anniversary and birthday falling in this month and taking me away from work (rightfully so, I suppose). For November itself, I’ve missed four days. I’ve added over 3,500 words to my manuscript, and cut or changed innumerable more (meaning I have no way of keeping track of exactly what I’ve cut, re-written, or replaced).

In terms of actual editing, I am more than half way through the book. There’s no accurate measurement for editing-to-word ratio, since I know for a fact that I will be adding in certain scenes further in the story, thus upping the final count. As far as current word count goes, I’ve edited up to the 57% point. That is a VERY good feeling.

For InSecDraMo, that would mean I’m ahead of schedule, and doing a mighty fine job of it! I admit, I’m struggling a little at the moment, and that’s a big part of why I’ve missed days. This chapter is amazing and totally awesome, but still desperately needed a hard edit. There were things I’d decided I needed to change, no question about it, and it’s just hard to add those elements in when it temporarily mangles an otherwise epic scene.

The story will still need work later on, but it’s definitely getting somewhere. I am still so in love with these characters, and the situations they are getting into make me some kind of gleeful maniac. It’s all a little mean, but an author has to do these things to the ones we love best! Right now, I think I have an excellent chance at reaching my editing goal and have it ready for my betas to read at the end of the month. Exciting! I know at least one of them is eagerly awaiting this story.

~A

A step into the past

Revealing character insights is a very complicated business.

I come to a “flashback”-style moment in my book, I don’t know if I want it. Is there a better way to integrate that information? Can I make it more seamless? Or is it fine to just have the main character narrate their reminiscing? I don’t know, because I’m too close to it, I don’t have an objective opinion when I’m so deep into editing. No one else will know the answer without reading the story, but I don’t want to give it to my betas yet. It’s not ready for that read-through.

I already know that a very clever author will provide insights like the one I am debating, in a way that doesn’t disrupt the momentum of the scene. Does this flashback take too long? Does it disrupt the flow? I can’t figure it out. It seems to sit well enough, and it’s not totally unique in its delivery.

The degree and speed of which I wish to divulge information is one of those tricky things. I don’t want to dump all the character’s knowledge and feelings at the beginning of the book; there are more natural, poignant moments to reveal certain elements. But I also don’t want to take too long to establish the early motives of these characters. I don’t want it to be one of those books that someone else reads, wondering, “Why would these people do this?”. I’ve experienced that with other people’s stories, and I know I want to avoid it in mine.

I can try re-writing, or I can carry on. This won’t be the only edit the story sees, so it isn’t completely essential to figure it out right now. But it gets me all tangled.

~A