I had a moment

Sometimes it’s the most obvious things which make a sudden, weird impact on me.

People will be reading my work.

Like I said, obvious. That’s kind of the point to writing and publishing and releasing stories out into the world. So they will be read, and hopefully enjoyed. I had a chance to check in with my publisher for the Surviving the End post-apocalyptic horror anthology, Dark Prints Press. They’re full speed ahead for the release of the crime anthology, The One That Got Away, later this month, and they have some great novellas coming out in the near future which I am really looking forward to reading. We talked preorders a little, which was the point where my odd revelation happened.

People have ordered the book which my story is in. People will, in all likelihood, read that story. People I don’t know! Ooh.

Of course, how is any of that different than this blog? Anyone, any person at all with an internet connection, could come here and read the text I am typing right now. Months of my rambling is a available. Ah, but of course, this isn’t my fiction. I give blog posts a quick look-over before I add them. I don’t spend months or years crafting them.

It’s a nervous situation for no legitimate reason. I want you all to read my stories, I really do! I wonder if experienced novelists still feel things like this, or if they get used to the oddities of being an author. Just wait until I have fiction living entirely in its own book. At least with an anthology, I can sooth myself with, “Other, much bigger name writers are in this.” There’s no hiding if it’s all me.

~A

Button Joy Reflected

Amy Rose Davis has Button Joy! She’s been a crafting manic lately, and found a buttony treasure during a big spring clean, spurring my own recollections of Button Joy. Now, I’m a bit of a button hoarder. Nothing serious. I just have a big jar of buttons. And I can blame it all on one person.

I grew up learning to sew from my paternal grandmother, and maternal great grandmother. They are pretty much the reason why I can sew and crochet, and have done so since the time I could wield a needle or hook. My grandmother was an amazing seamstress, and I think it was her careful eye which led me to be able to draft patterns however I want. I’m not exceptional at it, but if I want to make myself a pair of pants or a new skirt, I don’t need to buy a pattern for it, I will just draw one up and modify it as I go.

My great grandmother was an avid crocheter, though. Not only that, but she kept a jar of buttons; the jar which I inherited upon her death. Some of these buttons are very old, gorgeous wooden things or cast metal. Others are newer, some match, some never will. I’ve used buttons from this jar in my sewing for years; anything from teddy’s clothes, to replacing a popped button from a shirt.

But the truly remarkable thing about my jar of buttons is the smell. This seems a common theme among those with Button Joy. Open it up and stick your nose is, and I swear, it smells exactly like my great grandmother’s house, all these years later. It’s surreal and evocative. It’s the scent of a yarn collection, and her endless cooking, and whatever little things made the house so distinctive. Her moisturiser and make-up. Her perfume.

My jar of buttons sits on my computer desk, tucked into the shelf in front of me. It’s just the convenient place to keep it; accessible, yet out of the way. But it’s also a lovely connection to a woman who meant so much and taught me many wonderful things. I like buttons. Treasures from the past.

~A

Sometimes I wonder

I read a lot online. Blogs, articles, forums, humour sites, random research. I spend a lot of time on my computer, and have for most of my life. Wouldn’t trade that for the world, either, because the kinds of opportunities which come from being on the internet are incomparable.

But sometimes, I’ll be reading something. Often of the writing/publishing nature, since we all tend to get a little obsessive over that at times. And I will think to myself, “Why am I reading this instead of doing something productive?”

I love learning. Acquiring knowledge. The reason I spend so much time online is because there is so much available. I’ve been known to spend days straight consuming a good blog, or disappear a six hour block following links around Wikipedia. Funny enough, while I do check on things like Facebook regularly, I don’t spend a whole lot of time there (unless someone catches me on the chat function while I’m not looking).

But there are little triggers. I’ll read something, and for a myriad of reasons, it will make me wonder why I’m not doing something else. It’s not a guilt complex; everything I do has its reasons, and I’m okay with that for the most part. It might be partly an avoidance technique; I’m in the middle of a lot of things, and what I should work on isn’t necessarily what I’m most drawn to. But really, I suppose I just want to have something tangible for my time and brainpower. Knowledge can’t be tallied like words or stitches added to a project, so even while I value what I’m reading and experiencing, I feel I will have nothing to show at the end of it.

Which is ridiculous. If I didn’t have all this knowledge accumulated, these observations of humans and their thoughts and behavioural patterns, I wouldn’t be able to apply that to my stories. Which is pretty integral.

All the same, I’m going to draw a line this weekend. Get some serious work done and knock out a few of the smaller projects I’ve been dragging my feet over. I will say I have enough information to cover me for those two days, cut off my reading of things until Monday.

~A

A little healthy comparison

As artists, there are a lot of reasons why we should never compare our work to everyone else’s. Every person has a unique take, and every creation we bring forth will reflect what is ultimately incomparable.

But I feel like some writers take that notion too far. Instead of holding up their work beside another and seeing where they could strive for improvement, many of them declare their piece finished with no greater judgement. They don’t assess what makes a story good, so they can’t apply that knowledge to their own creation.

We’ve all heard the stories. A writer who’s rejected by every agent and publishing house turns around and says they all missed out on something great. They drop a pile of money on self-publishing, only to prove they had been submitting an unpolished draft. No wonder it wasn’t picked up; the story wasn’t ready for publication.

Instead of being really honest and hard on themselves, these people abandoned reason in a glorious spray of egotism. They might’ve had a real chance at traditional publishing if they’d only been willing to compare and see why their story wasn’t up to snuff.

Criticisms of certain popular teen romance novels are only damaging this mentality more. “If that crap got published, I can too!” Simple fact is, most big books have a specific audience and appeal, and had a professional, experienced editor make it into a very readable piece. The writing is intentionally simpler for the younger market. Hate it all you like, there are no outrageous, book-breaking errors in the vast majority of traditionally published works in the YA range.

As with all “rules”, there needs clarification. Don’t compare yourself to others; they will have a different output, a different situation, a different career. They will sell more than you, or less than you. They will have a bigger fanbase than you, or a much smaller, yet more dedicated one than your own. They will have a larger marketing budget, or a smaller one. There will be differences, and you cannot compare yourself to those; they are outside of your control.

But you can compare your technical skill. What makes other books good? What makes you read your favourites? What stands out, what do they do, what don’t they do? Learn. Learn as much as you possibly can about the technical side, and compare your work in the most vicious, heartless way you can. Tear it down. See what emerges from the rubble. Start again, do it right.

There are also stories of people who were rejected by everyone, self-published a very good book, and are now international best sellers. Because they made sure their work could stand up against the other greats.

~A

Oh, glorious breakfast contraption

Seriously, I want this machine.

Breakfast Station

This wonderful unit is dubbed the “Nostalgia Electrics Retro Series 3-in-1 Breakfast Station”. The entirely rational part of me knows there’s no way this thing could do any of its three functions amazingly; at best, it will work just as well as my existing electric frypan, toaster, and coffee percolator. But my current appliances are not a special machine designed as a full breakfast ensemble!

A part of me really craves ridiculous items like this. Definitely not the rational part. No one in this world needs a breakfast station. Except me. Surely I need it! Breakfast. All-in-one. It’s too fabulous for words.

In my ideal kitchen, I would have this, and a special slushie blender-dispenser, and a hot chocolate machine, and probably give into my lifelong desire for my very own fairy floss/cotton candy maker. I’ll also have a giant sink with a spray nozzle on the end of a hose, and a little dishwasher, a huge walk-in pantry, more cupboard and counter space than I could ever reasonably use!

Needless to say, not all of my daydreaming is spent in the world of my book.

I kind of like the idea of blue in a kitchen, too…

~A