Family influences

Something I came across recently had the opinion that people get a lot of their passions in life from family influences. For instance, if you attend sports games as a child with a parent, you will associate fond memories and excitement with that sport. The love for that game is passed down to the next generation, and then when that person has children, they will repeat the process: take the kids to the ballgame, because they have great memories, and they want to share those experiences with their own offspring.

As with most subjects, I immediately twisted the concept and wondered just how much our family impacts our writing. I know that I got a lot of my love for reading from my parents and other extended family members. I have those kinds of great memories of my grandparents taking me to the library and being allowed to choose any book I wanted to borrow. Of reading the same story every night with my mother. Of my father taking me to buy books from the second hand bookstore every time I ran out of new things to read in his house. Those are important parts of my childhood, and if I had children, I would want to do those things with them as well.

Some people didn’t have the same exposure to books and reading through their family as I did. There are plenty of folks out there who came across their love of literature from a friend, a teacher, or just happenstance as they went through their lives.

And then I wonder if the genre we write is an extension of these influences. I can definitely say that I was exposed pretty early to horror (dad-approved reading of Stephen King before I was a teen), and I was raised on fantasy in ways I can’t even begin to describe. Was I set up to become exactly what I am, or did my taste and talent coincide from such an early age? There’s no definite answer to that, but it sure makes me curious about the experiences of other writers and how much correlation they can see between their upbringing and their stories.

A final note: I’m sorry this is a couple of days late! I’ve been busy with jewellery stuff over at The Dragon’s Hoard.

~A

It’s the Spring thing

I am currently mad about growing plants. Fresh produce from my own garden would be so nice, and keeping ferns, growing perennial flowers and generally having a garden that is rewarding.

It sounds like a simple enough process. Collect appropriate planters or prepare the garden beds, ensure the soil is good with compost, mulch, and natural seaweed fertiliser, then plant away! Seeds, seedlings, and larger plants, depending on what’s available, what I want, and what suits the season. I know what I need to for keeping a garden, but I must admit, I’m really bad at it. The knowledge and theory is all there, but something I do in practice has ended in ruin every time.

I have killed dozens of plants, maybe even hundreds. Sometimes there’s a sad couple of cherry tomatoes harvested. I once managed to grow a horribly bitter and stunted carrot, and while totally thrilling to dig it up, it was a disappointment.

It would be easy to joke that instead of having a green thumb, I have the dead and crispy thumb of a failed garden. I can get self-sowing plants to go wild, and there are plenty of flowering bushes in the yard that do fine with absolutely no input from me (except the occasional watering when it’s dry out). Once it comes down to something that I should be involved in maintaining, there’s not much success.

This isn’t too off-putting to me. As the Spring Equinox approaches, I definitely feel the subtle call of nature to celebrate Ostara by planting and growing and tending the garden. I have enthusiasm that this time will be different, and the blueberry bushes with thrive and produce berries. At least this time, I don’t have chickens, as chickens love EVERY part of a blueberry bush (I swear they developed a taste for it).

I look ahead, hopeful that what I’m planting will survive. My ferns haven’t turned crispy yet, and my European Ash bonsai tree is looking ridiculously healthy! The strawberry plants have their first tiny strawberries on them, and the new mulberry tree is suddenly covered in long green berries! This is all a great sign. Maybe my mysterious gardening inability has passed and I will be able to fulfill all my planting urges.

~A

Complicated types of taste

I don’t pretend to be very widely read anymore, because there are just SO MANY books out there, and I don’t have the time or inclination to consume them the way many others do. I don’t read books that are outside of my normal tastes very frequently, and even in some genres I only read a specific author. This doesn’t really bother me, though I do try to keep up with what’s new and interesting (or old and interesting!), because I have a certain responsibility to know what my chosen profession is doing, right?

So in my quest to remain somewhat attached to the comings and goings of the writing world, I still read books, and sometimes just for the sake of seeing what all the fuss is about. Occasionally, this means I read a really incredible book that is well worth the time and effort, and sometimes this means I am left in a state of wonderment that there should be anything considered remarkable about a book.

There isn’t a simple way to divide and define these books. What makes a person enjoy one story over another? It can be a case of fantastic characters, epic storytelling, or just a universal concept delivered in an accessible format. Maybe they are believable scenarios, or deep truths, or a subject you’re already passionate about. These traits don’t serve as a defining point, though. There are books that people love with honestly one-dimensional characters, then books that the same people will reject for having that flaw. I know this, because I make frank comparisons in my reading and I see myself doing it.

What makes a problem become a fatal flaw in one work, when it can be overlooked in others? Is it the cumulative quality that actually spurs our decisions, and we just put it down to the first simplified answer we come across? What’s worse, we learn all these rules about writing (that are surely for breaking!) and we appreciate why they are important, yet a book can come along and seemingly disregard all the important things you’ve ever learnt, and still be a good book.

I suppose the quest to understand what makes a story good is one of those endless, unanswerable things. Not just because everyone has their own personal taste, but because sometimes the things we love in one instance are the things we hate at other times. People are uniquely capable of these amazing contradictions. At the end of the day, there probably isn’t an answer at all. Not even to ourselves.

~A

Re-reading

I haven’t been reading very many new books recently. I’ve just been way more interested in revisiting stories I’ve already read through. I’ve acquired new books (or as is more likely the case, second-hand books which I haven’t read before), and just not found much reason to delve into them.

I try and analyse why I feel this way. There’s a lot to be said for already knowing I enjoy a story. I guess as I feel like reading time is some pretty prime real estate in my daily life, I don’t always want to use that time on a book that I may not love at the end of it all. When I re-read a story, it’s because I remember just enough of it that I know I will feel great about it afterwards.

I’ve never been one of those people who remembers a book really thoroughly, and that serves me extra well when I take to re-reading. I know the general gist of the story, but there are still parts that I don’t remember until I’m reading it again. Even in my most favourite book, which has been given well over twenty read-throughs, still gives me entertainment from my poor memory for details.

Of the new books I have read, I’ve enjoyed all of them. They’ve all been awesome, so the investment was well worth it. I don’t know why I am so hesitant to give the other books a chance, since there have been very few books in my life that I have actively disliked.

I think part of it, too, is that I love to re-read stories and see what makes them work. Why do I like it, how does the writer do it, what makes this story successful? Re-reading gives me new perspectives on books, because the first read-through is almost entirely for my enjoyment of a story. I don’t tear them apart until I already know what happens. So maybe my desire to read old books stems more from a desire to learn about the craft, even when that isn’t my total conscious decision.

Whatever the case, it’s always nice to meet up with old friends in good stories, and enjoy their tale once more.

~A

And now, a return to your regular viewing

I can safely say from August 9th through until today (September 5th, I note), I have done next to nothing productive. I actually went away during that time, and should have had normal internet to retain contact and updates, but just a fluke of location made the connection non-viable. Aside from that, with my cat dying, and being hit by the most god-awful case of influenza, I just lost a lot of time in the past month.

I have glimmers of awareness that I am, in fact, rejoining the land of the living. I can stay awake for most of the day! For a while there, I was actually sleeping some obscene amount, over 20 hours a day. That is unheard of in my life, so there’s some gauge for the severity of my illness and despair. I’m also hungry. You can always tell that I’m on my way back to good health when eating becomes a priority again.

With my experiences to reflect upon, I have come to terms with the fact that I have absolutely no way to focus on my writing whenever I go away. I take my equipment, I intend on using spare time to keep working, and it NEVER happens. Ever. So I accept that I am not an out-of-house writer.

It was a surreal feeling to truly quantify how long it had been since I was even mentally in my story world. I considered this while I was still pretty ill and prone to sleeping all day, so the thoughts were kind of hazy. I was actually wondering what I used to do, before all this, before the month. Who was I? What was important? It was like my characters were under an invisibility cloak, and I had suddenly realised the room was very empty. So I searched, and I came across an anomaly in all that blankness, something from a half-remembered dream. I used to write. I have people waiting for me, stories not fully told.

It didn’t all come rushing back in some blaze of creative glory. I was probably in the middle of drifting back to sleep, but the knowledge had been released, freed from the cone of silence. I thought of names and faces I hadn’t considered for almost an entire month, of their plans and conflicts, and it was weird. Weird that I hadn’t thought of them, when they had consumed so much of my mind previously. Weird to think about them again, and not have the clarity of the constant, immediate work on their story, but also weird because there was that secret little passion tucked away with them. The one that makes me a writer. I remembered their story, and it began niggling in the back of my head. I want to read what I’ve already written, and throw myself back in. I need to.

So maybe to say I’ve rejoined the land of the living isn’t entirely honest. I’ve woken up, though. I’m here. The part of me that doesn’t just lay around and feel sad and lost is gaining ground, gently soothing back the parts which are still tired and raw. And I missed you guys. I like my collection of internet peoples, you’re all so bright and interesting! It’s nice to be aware again. I hope your month hasn’t been anything like mine.

~A

Most obvious observation ever

There isn’t actually a “right” way to write. Even spelling, grammar and punctuation can be massacred for the appropriate reasons. Half of the characters in the Redwall series speak with an accent so heavy, Brian Jacques just made up his own spelling. Stephen King has a short story in Nightmares and Dreamscapes where the mental and physical capacity of a character degenerates to the point that his retelling of events becomes indecipherable gibberish. It’s my favourite story in the collection and never fails to make me cry.

Then there is slang and invented language, which doesn’t have any fair rules to break. It’s true that using slang or modern language will “date” a story, but so does proper terminology. I have been accused far too many times of writing, and also speaking, with archaic words, like they can somehow lose their meaning given enough time? I suppose so, but communication is all shaky ground anyway.

Things like this are the reason why so many people say rules were made to be broken. Because there’s always at least one instance of where a cardinal rule has been so completely disregarded with such amazing skill that you can’t imagine that work being written any other way. If there’s no clearly defined “right” way to throw words at a page, how do we know when we’re doing a good job?

Different people want different things from their reading. Some people like ongoing description that tells you every last thing about a place. I once counted twelve consecutive pages in a book solely of description regarding the landscape and farming in the locale, and absolutely nothing happened in all that time except a lot of info-dumping. This was in a very popular and successful author’s book, too. So some people like it when you’re wordy and droning. Others like sharp, fast-paced writing, where the sentences are short and punchy and there’s no real downtime in the story.

Each genre also has quirks that make a story “suit” the general target audience. Where you might be able to get away with a rushed description of a character in one genre because other things are more important to the story, you could find another genre that practically requires lengthy, gushing language about the people in the book.

So I come back to the question, how do we know when we’re doing it right? Take a look at any top selling books list and you’ll find titles such as The Lord of the Rings, The Da Vinci Code, Nineteen Eighty-Four, Gone With the Wind, The Chronicles of Narnia, And Then There Were None, Black Beauty, Twilight, Harry Potter, To Kill a Mockingbird, The Wheel of Time, Lolita, Discworld, it goes on and on. What do these stories have in common, beside being written works? They are vastly different books with varying degrees of appeal to every individual. They all did something right, but that right thing for each story (or series) was almost unique to itself.

~A