A multimedia booklike experience

Ideally, I aim for some kind of cross-media experience to accompany my eventual book releases. I love the idea of artwork, music, and special edition items to go with my work. Pictures of the characters would be an absolute must, and maybe some action scenes or a couple of the more exciting locations drawn up, too. A website where people can download theme music for the different places and people in the stories. Pocket versions of my books where they are printed all small and super cute!

Ambitious, much?

Half of this, I could probably manage with a pile of help from my talented and creative husband (who is an illustrator and songwriter, among other things). Things like the pocket books, and including high quality art prints with sales would be a deal I would have to wrangle with my publisher. And we all know that publishers tend to have their “tried and true” method for making books, and it probably wouldn’t be seen as profitable enough to step outside the boundaries of normal publishing.

But a girl can dream. Goodness, half my profession is made of dreams and fantasy, so what’s another mad idea on top of the rest!

Since I am a big fan of videogames and cartoons/anime, as well as enjoying a good movie, I tend to think of my stories in a very visual mindset. If I had the opportunity to make a graphic novel, or an animated series from my books, I already have all the pictures in my head. To be totally honest, it would make me deliriously happy to animate some of my stories. Maybe one day I’ll put some of my other extensive hobbies on hold and get to work on that kind of project. In the meantime, I’ve still got new books to write, and they are eagerly demanding my attention. And I have nothing wrong with that!


Fitting the pieces together

Since I had the mad idea that I should write a novella series, I’ve been thinking about plot points a lot. The style I want to write in means there is an over-arcing story generally, but each book will have its own major, semi-disconnected event.

That sounds pretty simple. Decide on the end point to the series, and just throw other exciting ideas at the individual stories. But I realised that each event in the novellas will need to lead to the character development. If I want Character A fall in love with Character B, can that happen in book 1, or will that cut off all the possibilities through the other books?

So I need to map out a general idea for the WHOLE series before I even really start writing. I mean, I can always hold over scenes and put them in later, but it needs to flow together smoothly, from start to finish.

There are few things worse than reading a series and seeing exactly where the author decided half-way through “HEY THIS IS A GREAT IDEA”, and ret-conned everything just to fit in the new plans. You know when they did it, and you know they scrapped their original ideas to implement the new ones, and now there will be unresolved issues, because all the loose ends can’t be wrapped up nicely in the new scenario.

The enormity of this kind of planning is both frightening and invigorating. I’m kind of excited at taking on a big challenge like this. I already have so many interesting sub-plots I want to work in. Now it’s just a matter of figuring out where they go chronologically!


In the beginning, there was an idea

I’m always getting ideas. Whether they fit into an existing story, or fall under the category of “write it down, save it for later”, or even come out as semi-complete new plots, I’m constantly creating new things in my head. But when it comes down to actually taking those ideas and fashioning them into something, that’s when things can get murky.

For instance, I’ve been tossing around this notion recently: a brand new collection of shorter stories, set in the same world to one of my epic novels. These ideas tie together some of my existing lore, and expand upon other little details here and there. When a novel has the potential to be so expansive, it seems like there are just endless possibilities within that realm, and the people and magic can all tell their own version of events.

Of course, I’m currently free to explore these possibilities, and it’s now when I’m not sure where to go with them. I will sit down with a blank sheet of paper, and write out all the important information. Who are the main characters? And the minor characters? What is the central conflict? What kind of dynamic will there be? And of course, what’s keeping the characters from reaching their goals?

These are just a small handful of the questions which I will eventually need to answer about these stories. The fact that I am planning on making this a series of shorter novels (no 100,000+ words for these!) means I need to decide if there is an over-arcing plot, or if they are simply snippets from the lives of individual characters with a matching theme. If there is an over-arcing plot, what are the mini-conflicts in each book? How do they relate to the ultimate outcome?

Before all of that, I will have conversations with the characters. Get to know them. Make them interact with each other, see who they are and what really drives them. Where their biases lay, where their weaknesses hide, what they fear, and what they believe in passionately. I can’t write without knowing my people. They are the whole reason a story exists. If I don’t know them, I can’t write what they will do, and how that will shape the eventual ending. If I want to reach “Point H”, I need to first know if the characters can get there organically, or if it will just turn out forced and awful with the personalities I’m working with.