Is this what we’re doing now?

You don’t have to say a thing. I already know.

I’ve skipped out on continuing one story in favour of hitting the eight-novella series again. The characters crept back into my head with some astounding clarity today. There were things that I hadn’t gotten right during draft one which I am confident I can fix and keep fixed through the series now.

I also got to have a very complicated discussion with the husband about magic theory. Scientific-based magic is a sneaky business. When the magic in my universe is just that much closer to known physics, I have to be even more aware of all the places I am intentionally stretching reality to fit in my brand of fiction. As I work through the theories, I bounce confirmations off the husband and get his input on the likelihood of one thing affecting another, or the limitations that must be in place.

One of the things that came up during this was the X-Men character, Magneto. The X-Men series is one of those things that has so much intense depth, I can’t even begin to do it justice by a few lines of explanation, but suffice to say, someone with the powers Magneto is given shouldn’t have any actual restrictions. He should pretty much be able to do anything, with no contest from the other mutants in that universe (besides the ones intentionally made even more undefeatable).

All magic requires limits, but certain powers need author-imposed restrictions that keep the character from being able to just do their thing and overcome the challenges with no effort, growth or progression. These are the most difficult scenarios for me, because they still need to live in that realm of believability that I am already applying to my magic theory. They also have to be hidden restrictions, things that don’t jump out at the reader as something I have used as a character-roadblock.

So with all this fresh and burning in my mind, I’ll be getting back to the first major edit of TDM. Then, should everything go well, I’ll charge straight on into finishing the first draft of SL. Yeah!

~A

Sagittarius

Whether or not you believe in the traits of the Zodiac, sometimes the descriptions are far too apt and entertaining. I’ve been a big fan of the Zodiac for as long as I’ve known about it. Be it the Western Zodiac, Chinese Zodiac, Native American Zodiac, or any other cultural Astrology belief, I think there’s some wisdom to be taken from all of them.

From a Zodiac page on Avia Venefica’s awesome symbology website, What’s Your Sign, we have this little description of the Sagittarius:

Sagittarius – The Centaur
November 22 – December 21
Here we have the philosopher among the zodiac signs and meanings. Like the Scorpio, they have great ability for focus, and can be very intense. However, they must channel their energy or they will waste time and wear themselves out going in too many directions at once. They are not very patient and expect quick results. However, when encountered with failure they make extreme comebacks often against incredible odds. They make loyal friends and lovers, but they do not handle commitment well as they refuse to be tied down while chasing philosophical pursuits.

Yeah. See the third and fourth sentences? I’ve been having a very Sagittarius week, doing everything at once, being impatient at the lack of results, and generally wasting a lot of time.

Now, that’s not too much of a bad thing. I’m also optimistic to a fault, and yes, I will bounce back from this week with more coffee-fuelled enthusiasm! I’m tempted to say, “I haven’t gotten anything done!”, but the reality is, I’ve gotten a lot of pieces of things done. Extra jewellery was produced for The Dragon’s Hoard, as well as writing out all the price tags I just received in the mail. I’ve been asked to participate as a sponsor for charity, and have to organise even more jewellery-related work for that. About four blog posts are half-written and saved for later.

I wrote, definitely, but I also edited as I went (bad mistake), and ended up cutting about 50% of the work, hence my progress bar hasn’t been touched for several days.

I’ve taken care of the cats, and the fish, and a whole lot of housework. I’ve done gardening, and grocery shopping, and maintained contact with my social groups. I cooked many delicious things, most of which I promptly ate. I’ve currently got two major crocheting projects half-finished that I can barely bring myself to look at, because I know how much longer it will take me to finish them, and don’t you know, I have other things to do!

Yeah… It’s about time to rein in the wild, galloping centaur at the core of my multi-project enthusiasm so I can just get things done. It’s hard coming to terms with priorities. Sometimes, for me, it seems like an insurmountable task.

~A

Series potential

My novella project is the first time I’ve put a lot of effort into planning a series. It’s alien and frightening, and every time I come up with some new perspective on the story, I’m afraid that half way through writing the whole set, I will understand something new and want to change something.

Usually an author will begin publishing a series before all the installments are complete. This is understandable, since a novel often takes a year or more to write, and no one wants to wait ten years to start publishing something they’ve completed. This means that the overall theme has to be well established before they send out book one, because once it’s printed, there isn’t any “fixing” the story.

I thought I had done most of the important planning aspects for TDM, laying out plots and important events, characters which won’t be involved until several books in, the list goes on. My notes are extensive and the outlines were poured over until a cohesive plot was made. I really believed I was in a good position to just write these and expect things to turn out the way I planned. But as I progress through the edit of book one, and drafting book two, I realise that little things can change, and indeed sometimes need to. I worry what this means to my series. Do I need to go back to the planning stage and make the outline even more detailed? Would that be so much different from just writing the drafts and working from there?

At the end of drafting book one, I realised some of the mistakes I’d already made. In some places, I had written the characters to behave in ways I had never intended, and some of the scenes were really unsuited to both the characters I was creating, and the story they needed to tell. Not only that, but it wasn’t until the full first draft had been completed that I understood some of the events I rushed to include too soon when I planned the stories. They shouldn’t happen in book one. They need time to get there organically. My enthusiasm for this series was driving me to cram too much in right away.

Maybe I deviated from my outline too much, even though I really didn’t change many events in the first draft. At the same time, one of the added ideas was so solid and brought together all these other elements, I start thinking I just need more time to get to know my characters and reassess how they will respond. Maybe I haven’t done nearly enough planning. This is an interesting learning curve. It’s hard not to worry about it.

~A

Surprise, this is what you’re writing now

I have been absolutely consumed by a new story.

I was doing so well! A strong start on book two of the novella series, getting through a quick edit on book one, then all of a sudden I’m just hit with this idea. It came to me almost fully-formed, ready to go. Characters popped out of nowhere, with flawless interaction, solid personalities and reason for being. I kept interrupting work to write parts of it, and as soon as I arrived home, I got right back into it.

At this stage, from what I can tell, it’s probably another short story. Horror, maybe a little more “typical” than my other horror works, which tend to be very psychological with minimal blood and gore. I don’t know an approximate word count yet, but I’m hoping it won’t take too long to write. I was genuinely enjoying the novellas. The characters in that series are really exciting to write about, and there is so much potential. This, though… this is just stuck in my head, and I’m certainly not going to let it go to waste by working around it, even if I am somewhat torn between my stories.

There’s a good chance that I’ll write part of the story and come to a point where I don’t need to continue right away; there are plenty of others in my project list that have taken that route. Of course, with it already started, I shouldn’t have any trouble coming back to it at a later date to finish it off. On the other hand, I might just be stuck with the idea until I’ve written it all out.

One of the funniest things about this story? The characters came to me with names already, all except the main character. I have no idea what his name is. Maybe it will never be revealed. Maybe he is to remain nameless. We will have to see as it all pans out.

~A

How many ways to edit

Editing is a funny thing. There are many kinds of errors you need to look for, and many forms to the edit. Typos, misused words, flat writing, continuity errors, grammar and punctuation. Some of these things you can find just by reading the project. Some of them you will only notice when you read it out loud (especially stilted dialogue). Some of it will be a crazy mystery until your beta readers have a crack at it and start highlighting issues you overlooked through sheer familiarity.

I go through several processes when editing, whether fiction, or articles.
I read the whole thing through, making changes as I go.
I read it out loud, fixing whatever I notice.
I print it, then read it through again
I highlight problem areas and make notes all over the page.
I input the changes into the computer, then I read it again.
I read it out loud some more.
It goes on.

Of course, the whole process isn’t as simple as “spot the error, now everything’s okay”. I have hummed and hahhed and really kind of agonised over choosing the exact right word to use in certain instances. Sometimes, I lean toward using a word poetically, then wonder if it’s too ambiguous. I worry that I’m taking the creative licence too far. I debate over using two equally exciting words. I get angry when I realise I just reused the same word a sentence later. I get more angry when alliteration falls into my writing entirely by accident and I have to rewrite an entire sentence so 80% of the words don’t begin with the same damn letter! I disagree with my beta readers over suggestions to fix parts that are “technically wrong” (because the rhythmic quality of the writing sometimes suits rule-breaking), or disagree with a suggestion for a word replacement, because one word holds connotations that I don’t like. It’s complicated. It’s a delicate mix of creativity and obsessiveness.

I don’t mind editing as much as some people do, and I don’t relish it as much as others. It’s just a part and parcel of trying to do this stuff the “right way”. I’m generally okay with just writing for myself, but I also look forward to the time where I can hold an armful of my own printed books. To get there, I embrace the whole process. My writing deserves that much respect.

~A

Work through the sickness

My life these past few days: care for sick relatives. Wake up every four hours to help administer medication. Cook soups, retrieve water, collect extra boxes of tissues. Condense an eight hour shift at work into some kind of ungodly three and a half hour race.

And all that leaves me tired out and catching a cold. It’s to be expected, and I’m already getting over it (there’s something to be said for eating heaps of Vitamin C supplements at the onset of an illness, let me tell you!). Nevertheless, I’ve had no energy to do anything besides these important duties. Anyone with a family will tell you that sick time is “drop everything else” time. But I’ve persisted at my writing work (usually when everyone’s taking a nap), and I’ve noticed something interesting.

When I’m exhausted and spaced out, I can be very capable of monotonous tasks like replacing pesky words. Something about the frame of mind I have been in has allowed me to see every instance of repeated words, bland adverbs, and importantly, spotting “it”, “was”, and “that” in my writing (some of the most frequently used words through this manuscript – eek). The fact that I was spacey enough to actually need a bright red sticky note on my monitor with those words written on it makes no difference; I just couldn’t remember if THOSE were the words I was on the lookout for unless I had a quick reference.

This has something to do with lacking the brain power to concentrate on multiple things. Yes, I’m guilty of multi-tasking, which is just code for doing everything slightly less efficiently all at once. If I can think about researching, and emailing, and maybe just quickly checking one of my online hangouts, I’ll probably do it every now and then. But if I’m too tired to even remember those things exist, I have no problem just mumbling my story out loud and finding all the things that need fixing.

Don’t get me wrong, I will be delighted when I’m over this cold. It’s the first one I’ve had in ages, and I resent it. But maybe it will teach me something valuable, if I can just figure out where to find a “quiet mode” in my brain. Because it’s not the distractions themselves that are so problematic to being productive, it’s my ability to think about them while I’m doing something else.

It doesn’t matter what it is. If I can think about it, it’s a distraction.

So I will continue to make the most of this illness and work through it, glancing to my red sticky note every now and then (noting “just” isn’t on the list for the umpteenth time), seeking out those redundancies, and finding all the times where I’ve told, not shown (he’s happy to see them? What ever made me think I could just say he’s happy to see them?).

~A