How do you edit?

With only three chapters remaining until I’ve completed my second draft of TDM, I’m getting that niggling feeling I might be missing something, or going about this all wrong. I don’t know where these thoughts come from! I can’t explain the irrational doubts which enter my mind. I’ll be working away merrily, then BAM. “Do you even know what you’re doing?”. The answer to that is a resounding no, but we can all agree that none of anyone knows what they’re doing, so it’s all okay.

But to sate my curiosity, and my innate need to compare, I thought I’d just put it out there: how do you go about editing a manuscript?

I started out by reading the whole story. At least, I think I did. There’s a very good chance I got half way (or less) through it before I started making changes. I’ve been trying to work methodically, start to finish. At the beginning of a session, I will go back a scene or two and refresh my memory and get into the groove of the story before I edit further.

There have been many instances where I’ve changed something, and had to go back to much earlier in the story to modify something small for accuracy. Or worse, browse through the previous chapters to figure out what I already wrote, sometimes because I just need to verify my own memory, and sometimes because I can’t recall exactly what I changed.

It feels like a whole lot of back-and-forth. Am I doing something wrong? Is this the normal way to edit? Am I just terribly neurotic? (Yes.) Will this all get easier with practice, or am I going to be stuck with this method forever?

I’ve mentioned in another post how I love to collect and save words of wisdom and inspiration (Just half of a fully forgotten memory). One of the gems in my collection comes from INTERN’s NaNoReVisMo (another alternate to InSecDraMo). I can take a lot of comfort in seeing what INTERN deems vital during editing, because I can compare notes and see that I’m doing a whole lot of what she’s mentioned. That’s important! My feelings are being validated! I might almost be on the right track!

But let me know what you get up to when it’s time to polish your story.

~A

Half way points

In the spirit of InSecDraMo, I thought I’d stop in today and give you all a mid-November update!

Okay, to be fair, I (re)started editing TDM on October 27th, so I got five days headstart on the ol’ month of writerly work, but that goes a little way toward off-setting the problem of Halloween a couple of days later, then my wedding anniversary and birthday falling in this month and taking me away from work (rightfully so, I suppose). For November itself, I’ve missed four days. I’ve added over 3,500 words to my manuscript, and cut or changed innumerable more (meaning I have no way of keeping track of exactly what I’ve cut, re-written, or replaced).

In terms of actual editing, I am more than half way through the book. There’s no accurate measurement for editing-to-word ratio, since I know for a fact that I will be adding in certain scenes further in the story, thus upping the final count. As far as current word count goes, I’ve edited up to the 57% point. That is a VERY good feeling.

For InSecDraMo, that would mean I’m ahead of schedule, and doing a mighty fine job of it! I admit, I’m struggling a little at the moment, and that’s a big part of why I’ve missed days. This chapter is amazing and totally awesome, but still desperately needed a hard edit. There were things I’d decided I needed to change, no question about it, and it’s just hard to add those elements in when it temporarily mangles an otherwise epic scene.

The story will still need work later on, but it’s definitely getting somewhere. I am still so in love with these characters, and the situations they are getting into make me some kind of gleeful maniac. It’s all a little mean, but an author has to do these things to the ones we love best! Right now, I think I have an excellent chance at reaching my editing goal and have it ready for my betas to read at the end of the month. Exciting! I know at least one of them is eagerly awaiting this story.

~A

The colour for writing

Books. Books need those classic creamy white pages, with dark text and maybe embellishments of colour here and there. I have plenty of plans for my page layouts, including the delightful little swirls and highlights I would love to see. The reading experience will not be infringed upon, but the page itself should be considered through the eyes of an artist. Some of my favourite books contain unique designs, often around the page number, or across the chapter name.

I’ve been hunting down some new blogs to read*, and it occurred to me with shocking suddenness: I hadn’t been paying any attention to the colours most people are using. I only realised this when one of the blogs had a header with the same colour scheme as my own blog, and I consciously acknowledged that it caught my eye and made me loiter at the page longer than usual. I admit, I sometimes have a very short attention span.

So I cycled through my most-read blogs. White, white, white, white. Some of them have a coloured background, which displays as a tidy little border around the large, white text table. Most have a coloured header, or a nice, full header image, but the main content is black and white.

There’s nothing wrong with that! Goodness knows, it made no difference until I was intentionally looking for it. There are the small selection of blogs I read which have other colour themes. Black, red, purple and grey feature predominantly, though that just shows the kinds of people I hang out with – we’re a grim, brooding and dark kind of bunch, often enough. Horror and dark fantasy, eh?

When I decided I was going to actually write a blog, and be serious about it, I spent a very long time finding a layout I was happy with. This was to become my online “home”, one which reflected upon me personally. The green tones, and the gear-like, yet nature-inspired designs on my current layout are kind of perfect. A melding of ideas, something graceful without being overly feminine, compact, subtly textured, with a left-oriented side bar (which I have always preferred), plus the Theme is named “Thirteen”, and I kind of like that.

*If you have a favourite read, please recommend the blog to me!

~A

While everyone else is busy writing

It’s NaNoWriMo time, after all, and most of my writerly friends are charging ahead with their writing abandon. You’re all doing so great, too! I can’t wait to hear about your progress throughout the month.

I piked on NaNo this year; I’ve been way too caught up editing TDM, and since the original deadline I set myself was to have a solid second edit finished by late November, I decided it was time to get down to business.

Cue InSecDraMo! Barb Riley of Written Not With Ink blogged about her November plans, coining InSecDraMo, or Individual Second Draft Month.

I already had my blog post all written out for today, too, but Barb inspired me. It’s pretty exciting to see others hitting the second draft with me this month, so I figured I should spread the word. As I commented on her blog, I have been trying very hard to edit in proper order, start to finish, but it’s just not happening. Every day, I start reading from a chapter earlier, to make sure the edits flow on correctly. Every few scenes, I cross-reference something earlier in the story. This is a really intensive edit, but I am loving it.

Something interesting I noted: I’m also adding a huge amount of words. Normally, my edits cut, cut, cut. Sure, I’m doing plenty of that still, but I am writing a phenomenal amount on top of those cuts. I think it has a lot to do with how ridiculously fast I churned out the first draft of TDM. It just flew out of me in five short weeks, and now that I’m into a complicated edit, I’m adding in all the delicious, necessary details that fill in for the reader what my brain already knew during drafting. So far, I’ve bumped the word count by 1,000 words per chapter. Wow.

All this talk of editing is getting me super excited to get back into it! That has to be a good sign. Honestly, I love this story so much, I can’t even tell you.

Good luck to all NaNo-ers, and especially to my fellow InSecDraMo-ers, too!

~A

No, no, be cool

Let’s not get too worked up. No squealing, no bouncing in the chair; that sort of behaviour often ends in toppling over or breaking dinner plates. Besides, we knew this day was coming. We were counting down! We checked as soon as we came online because of that! Just be cool. Make a calm announcement.

Pah. What would my brain know? The actual appropriate response is: TELL EVERYONE IMMEDIATELY.

Pre-orders for Surviving the End have opened! Yes!

The print version of this anthology is going to be something special. Not only will it include writing from my good self (hehe), but it also features the work of:
Joseph D’Lacey, with a novella titled “The Failing Flesh”;
Jason Nahrung, with “The Last Boat to Eden”;
Martin Livings, with “Unwanted”;
Amanda J Spedding, with “The Long Ago”;
Michael Bailey, with “Hiatus”;
and Kathryn Hore, with “The Stuff of Stories”.
Owner, editor and our story collector, Craig Bezant from Dark Prints Press, will be tying it all together with his own short interludes, as well. The physical book will have rough-cut page edges for an authentic after-the-world-has-ended feel and sketches scattered throughout the pages. This will be an experience, I can assure you.

I can’t tell you how ridiculously exciting this whole thing is. With a release date in April 2012, I might even get a chance to chill out in the meantime – then again, I’ve been asked to join the publisher at a convention for the release, so that’s going to have me riled up plenty.

Biggest thanks to everyone for all your support in these past few months! Now if you’ll excuse me, I have more people to inform of the news!

~A

Is this what we’re doing now?

You don’t have to say a thing. I already know.

I’ve skipped out on continuing one story in favour of hitting the eight-novella series again. The characters crept back into my head with some astounding clarity today. There were things that I hadn’t gotten right during draft one which I am confident I can fix and keep fixed through the series now.

I also got to have a very complicated discussion with the husband about magic theory. Scientific-based magic is a sneaky business. When the magic in my universe is just that much closer to known physics, I have to be even more aware of all the places I am intentionally stretching reality to fit in my brand of fiction. As I work through the theories, I bounce confirmations off the husband and get his input on the likelihood of one thing affecting another, or the limitations that must be in place.

One of the things that came up during this was the X-Men character, Magneto. The X-Men series is one of those things that has so much intense depth, I can’t even begin to do it justice by a few lines of explanation, but suffice to say, someone with the powers Magneto is given shouldn’t have any actual restrictions. He should pretty much be able to do anything, with no contest from the other mutants in that universe (besides the ones intentionally made even more undefeatable).

All magic requires limits, but certain powers need author-imposed restrictions that keep the character from being able to just do their thing and overcome the challenges with no effort, growth or progression. These are the most difficult scenarios for me, because they still need to live in that realm of believability that I am already applying to my magic theory. They also have to be hidden restrictions, things that don’t jump out at the reader as something I have used as a character-roadblock.

So with all this fresh and burning in my mind, I’ll be getting back to the first major edit of TDM. Then, should everything go well, I’ll charge straight on into finishing the first draft of SL. Yeah!

~A