Epitomising Storytelling

When I grow up, I want to be the written equivalent of Jeff Wayne’s Musical Version of The War of the Worlds.

“Hold up,” you say. “That’s based on, uh, The War of the Worlds. It’s already something that’s… you know, been written.”

Yes it is, I’m aware, and thank the gods for granting us H.G. Wells. It’s not the tale in and of itself, though. Other stories have meant so much more to me as pure stories. The tension Jeff Wayne added with the aural experience is something moving. Nostalgic and magical.

The truth is, if it weren’t for Richard Burton’s narration, I would not understand exactly how I want my words to move together. His part as The Journalist gave me the clearest vision of what lilt and flow a story should have. His voice lives on as the ultimate measure of sentence structure and word choice for me. Credit in the hands of the author for penning the the script, but the performance of Mr. Burton gives it another life.

Add in the artful pauses, the rising pressure, sudden starts and stops in the music. All the emotion. The leitmotifs and sound design. That is merely flavour to the distinct narration which encompasses what I feel storytelling should be. If I can leave my readers with a sense of sincerity amidst all that otherworldliness the way this production has always left me, I will have succeeded.

When I grow up, I want my stories to be a late 1970’s concept album. It’s not the worst goal a lady can have.

~A

Of Baked Goods and Deadlines

Short stories, editing, formatting, website content. Obtaining reviews, merchandise set up, the postal service increased the cost of shipping by HOW MUCH?!

Touching base with customer service representatives to discuss options.

Pre-release interviews. Checking and double-checking files before uploading.

And still, I chip away at the next novel because I really like the story and it’s very satisfying to work on.

How will I fit everything in? My productive week away from the other job came to an end. The responsibilities of life don’t tend to wait politely while I’m running about trying to finish everything in the same moment. Despite prioritising and re-prioritising, I get into a cycle of doing a little here, some other thing there, and never really moving forward enough to justify the time I’ve spent on any given task.

Counter-intuitive as it may seem on those days, the best thing to do is drop everything and bake tasty treats. Just shove all those worries into the back of my mind and accept that an hour off will help calm me, then there will be good smells filling the house and delicious results for my effort. Strawberry cupcakes to go with sweet iced coffee. Fresh waffles where the fluffy batter soaks up maple syrup and stays crisp on the edges. Mars Bar slice, Rice Bubble/Krispy treats, Honey Joys.

The deadlines won’t go away. The work won’t even complete itself while I’m not looking. But I’ll have spent time doing something immediately rewarding. Just as long as I don’t burn anything – that would be apocalyptic right now.

~A

In the world of Ashlee

Things have been happening, despite my relative silence. Of course, that should be a given. No matter how many blog posts I do or don’t write, or how many days go in between my Facebook or Twitter updates, life goes on and the world keeps spinning. Isn’t it funny how we might measure our personal existence by our presence on social media? If you can’t see me, I’m not entirely real.

Nonetheless, there were a couple of big ups and downs in the interim. No, no, nothing so big as the release of my novel. That’s still yet to come, though I have been dispensing ARCs to some very lovely people, and hearing wonderful things back. We’re looking at another month or two before I can pin down the release date. It’s hard to have delay after delay; I am not patient, but I’m forced to acknowledge this comes in part due to what has transpired through the early months of 2013. So let’s go over some of those things.

I had an author interview over at This Is Horror. If you haven’t seen it already, you can read my Meet The Writer on their website. I’ll note, it’s both fun and weird talking about yourself in the interview format.

Family and friends have gone through a number of personal trials. As a bystander for the most part, you try to support them. Show love. Remind them each of their importance in your life. Broken bones in accidents, severe illness and ongoing aftercare, a death. Little things, big things, unavoidable throughout life. Then the worldwide tragedies which have been occurring, with heart-warming tales of heroism amidst the chaos. One of these days, I’m going to stop reading the news.

I have spent the better part of two months designing and building an updated version of The Damning Moths website. It hasn’t gone live as I am still trying to muscle my way through some of the more finicky coding. I never thought myself as an especially talented web designer, but I think this will all work out rather nicely in the end. It’s just getting to the point where I am confident the site will function as best as possible.

Surviving the End received the Australian Shadows Award for Edited Publication. So far, my favourite part of being in an award winning anthology is the celebratory atmosphere with my co-contributors and the excitement our editor shared. And another hearty congratulations to us all.

I’m writing and plotting and editing all at once, which is hardly unusual, but takes a lot of attention away from other things. For the next week, I am burying my head in these stories for as many hours as anyone will let me. I’m talking very long days. See, I recently attended a course and gained accreditation for a new job. I will be starting in late May. I don’t exactly know how that will change my writing hours and energy levels, but I want to have some of this out of the way before then. What better timing than my week off work? If I manage to push hard enough, I know exactly what I can get accomplished. So here’s to a very productive week.

Lastly, I fill the gaps in between with the occasional important email, and reading. A lot of reading. Judging for the AHWA Short Story and Flash Fiction Competition, as an early reader (both requiring actual thought, assessment, and giving feedback where appropriate), and a whole pile of books being consumed unnaturally quick for pure enjoyment.

I know I’ve said it before, but I might be able to keep up with blogging again someday soon. Or you might hear from me again in a few months time. Either way, my love to you all, you’re not far from my thoughts.

~A

The mysteries of this author’s mind

I had a great question the other day from a guy at work. He knows I’m a writer, with my first novel coming out soon, and wanted to know if I’ve got any new writing in the works at the moment. My answer was, Yes, I’m in the middle of drafting three stories.

He gave me a surprised look and confirmed, Three?

That’s right, three separate books concurrently written. A prequel, a sequel, and something completely different to keep things exciting. To that, he wanted to know how I don’t get them all tangled up and confused with one another. Therein is the interesting quality of being me, and writing the things I do.

My explanation was something to the effect of, I spend most of my time thinking about these characters and their situations. They’re like friends. Just as a normal person probably wouldn’t mistake one friend’s life with another, I can keep track of the people in three different books at the same time.

I didn’t mention that I’m actively reading two novels and a bunch of short stories by other people as well.

From the perspective of someone who doesn’t write, this concept seemed especially amazing. I know a whole lot of authors would also agree. Myself, I just don’t struggle to identify each character, and even if I need a refresher, I have a lot of notes. I’m kind of obsessive with note taking these days. Even though I can follow the lives of half a dozen main characters and twice as many minor characters doesn’t mean my memory is any good. I’m in their worlds so often that there isn’t anything terribly confusing about it, not at the drafting stage.

I might disagree when it comes time to edit.

~A

Reasons I am a writer: 2

Words fascinate me. There are so many to choose from, and we’re not even restricted to a single language. English cherry-picks from dozens of countries, and then there are regional dialects, slang, and my personal favourite, archaic words. The lilt of writing is so brilliant, able to be reshaped into something better, something more poignant, something visceral.

I love the act of writing, both by hand and typing. Handwriting has a messiness to it. A wild abandon, where everything is free-form and unrestrained. The flow of ink from my favourite pens onto the perfect weight paper, the soft skritter-skit the ballpoint makes. Then there’s my fingers dancing over a keyboard, which I can almost convince myself is a type of magic, a song contained in characters on the screen. Typing is effortless, a habitual action. Muscle memory takes my fingers where I need them, and stories pour out.

My little community of writers! As with any interest on this planet, I don’t fit in with every group of fellow authors, but over the course of these last few years, I’ve begun collecting like-minded writing friends who come together to genuinely celebrate victories and successes, commiserate over the trials of our passion, and cheer each other on when another is struggling to draft, edit, or find a way to get their writing into the hands of eager readers. I have unending love for my friends. You are the best.

Telling a story is vicarious. So full of emotion. When you write the scenes which move you, when you are overcome by the experiences associated with being an author, the joy of finishing, the terror of releasing, the devious spark of a new idea which carries you away from the everyday world in a glorious instant of inspiration. It’s existing in a whole other layer of life.

~A

The Next Big Thing

Friend and fellow Perth writer Martin Livings, who has been kicking around the industry for over two decades, has pegged me for this: The Next Big Thing writer promotion cycle. Answer the interview, tag more writers, watch as it takes over the blogosphere. Many thanks, Martin! On that note, I highly recommend everyone wriggle on over to pick up Martin’s short story collection, “Living With The Dead” because this man knows his horror, yes he does.

I also have to make mention of both Michael Bailey and Annie Neugebauer who asked me to participate after I already agreed to be one of Martin’s tag-ees. Thanks, both of you!

Now! I give you The Next Big Thing(s). Yeah. I’m a big cheater, so absolutely no one should be surprised when I break all the rules and talk about the collective of my current work. It’s all connected! That has to count for something! But let me try and keep the focus on my first novel, The Damning Moths, coming out soon.

ONE: What is the working title of your next book?
Disclaimer: my working titles are always lazy and hasty. The Damning Moths was known as “Novel Series” until it got properly named. Uh huh. Book Two is exactly that, although pre-draft it received the codename “Spiral Leaves”. The novella prequel has the misfortune of being called “By Blood”. This is why I never discuss working titles. Moving on.

TWO: Where did the idea come from for the book?
The first concept which triggered the plot for everything is actually slated to be in Book Three, and I believe that was from a dream I had. During the subsequent two years of writing, editing, and refining the ideas, it has blossomed to where we are right now. The individual ideas tend to come to me through asking questions of the characters. What is their motive? What do they believe in? What makes them tick? With knowing those answers, I then ask: What will shatter their world? The resulting implosion is what happens in the book. Something to shake the character’s personal resolve in an integral way and see how far I can push them before everything breaks.

THREE: What genre does your book fall under?
Dark fantasy. Fantasy setting, horror lifeblood. I’ve had so many people look me up and down then ask why I write dark stuff. It’s an interesting subject, to be sure. I like the feeling of things being really, really bad for the characters. I enjoy the psychology in writing those who have to deal with horrific things. And I like being a little scared.

FOUR: What actors would you choose to play the part of your characters in a movie rendition?
This is a terrible question, and the person who originally asked it should feel bad. That said, I always have the disparity between the actors and actresses who look most like each character, and those I feel would play the role to perfection. This is part of why I don’t aim for live action films, and would love to see a high budget anime made of TDM.

FIVE: What is the one-sentence synopsis of your book?
“A world of blackened Faerie Tales is bubbling over with the conflict of past sins and perverse schemes as the gods’ glorious crown is passed to a new, unwilling victim.”

SIX: Will your book be self-published or represented by an agency?
Coming out through World Ender, my independent media label!

SEVEN: How long did it take you to write the first draft of the manuscript?
Six furious weeks on the scant and roughest draft of The Damning Moths, where words flew from my fingertips incomprehensibly. It took me another five months of changing the POV, fleshing out all the necessary parts, adding in characters, and finally, some very tough editing, before I had gotten it into the shape of a real novel instead of whatever I had spun in a bleary daze of drafting. The novella was drafted in five weeks, and Book Two is still in the works.

EIGHT: What other books would you compare this story to within your genre?
Goodness, I don’t know. I struggle with this constantly. A lot of other dark fantasy is very much the armies, swords, and dragons kind of thing. Those who write about the fae kingdoms often stick with the very Tolkien/D&D styled races, or have a much more traditionally detached take on Faerie. Since there is a convoluted and vast history which triggers the political conflicts in TDM, as well as eldrich themes, big magic, and a character-driven plot, it’s not in one or the other camp, and I don’t know if I’ve read anything much like it before. I’ve had early readers compare my writing to far more dramatic names than I’m brave enough to repeat. I expect fans of George RR Martin and Laurell K Hamilton would find something to appreciate.

NINE: Who or what inspired you to write this book?
Other authors inspire me to create, though each individual story is told because of the characters. I want to see where they go, all because they are fascinating to me. A dream started this tale, as is true of many stories I write, but inspiration is a constant flow for me. In the words of the awesome Chuck Wendig, Ask a writer: “Where do you get your ideas from?” And the writer will reply: “How do you make yours stop?” I’ve been writing for fifteen-some years. This just happens now.

TEN: What else about the book might pique the reader’s interest?
Let’s take “about the book” rather liberally, shall we?
First, The Damning Moths is illustrated with some of the best artwork I’ve ever seen, and that’s before my bias kicks in! Truly, I have been overwhelmed by the quality of the illustrations and how well the artist has captured the scenes and characters. Readers will get treated with a page of artwork every chapter. Yay!
Second, there is an original soundtrack written for the book, an amazing post-rock/progressive electro rock album by The Revolver Project. I am so, so, so happy with how the soundtrack has come out. Early listeners have universally proclaimed, “This sounds like it’s from a horror movie”. I think that counts as a massive success. Music is an integral part of writing for me, so there is something inherent and natural about a book having companion theme songs. Double yay!

With great pleasure, I introduce to you my tag-ee, and the star of a “Next Big Thing” post! Please direct your attention to the lovely Kristen Tsetsi!

~A