While everyone else is busy writing

It’s NaNoWriMo time, after all, and most of my writerly friends are charging ahead with their writing abandon. You’re all doing so great, too! I can’t wait to hear about your progress throughout the month.

I piked on NaNo this year; I’ve been way too caught up editing TDM, and since the original deadline I set myself was to have a solid second edit finished by late November, I decided it was time to get down to business.

Cue InSecDraMo! Barb Riley of Written Not With Ink blogged about her November plans, coining InSecDraMo, or Individual Second Draft Month.

I already had my blog post all written out for today, too, but Barb inspired me. It’s pretty exciting to see others hitting the second draft with me this month, so I figured I should spread the word. As I commented on her blog, I have been trying very hard to edit in proper order, start to finish, but it’s just not happening. Every day, I start reading from a chapter earlier, to make sure the edits flow on correctly. Every few scenes, I cross-reference something earlier in the story. This is a really intensive edit, but I am loving it.

Something interesting I noted: I’m also adding a huge amount of words. Normally, my edits cut, cut, cut. Sure, I’m doing plenty of that still, but I am writing a phenomenal amount on top of those cuts. I think it has a lot to do with how ridiculously fast I churned out the first draft of TDM. It just flew out of me in five short weeks, and now that I’m into a complicated edit, I’m adding in all the delicious, necessary details that fill in for the reader what my brain already knew during drafting. So far, I’ve bumped the word count by 1,000 words per chapter. Wow.

All this talk of editing is getting me super excited to get back into it! That has to be a good sign. Honestly, I love this story so much, I can’t even tell you.

Good luck to all NaNo-ers, and especially to my fellow InSecDraMo-ers, too!

~A

No, no, be cool

Let’s not get too worked up. No squealing, no bouncing in the chair; that sort of behaviour often ends in toppling over or breaking dinner plates. Besides, we knew this day was coming. We were counting down! We checked as soon as we came online because of that! Just be cool. Make a calm announcement.

Pah. What would my brain know? The actual appropriate response is: TELL EVERYONE IMMEDIATELY.

Pre-orders for Surviving the End have opened! Yes!

The print version of this anthology is going to be something special. Not only will it include writing from my good self (hehe), but it also features the work of:
Joseph D’Lacey, with a novella titled “The Failing Flesh”;
Jason Nahrung, with “The Last Boat to Eden”;
Martin Livings, with “Unwanted”;
Amanda J Spedding, with “The Long Ago”;
Michael Bailey, with “Hiatus”;
and Kathryn Hore, with “The Stuff of Stories”.
Owner, editor and our story collector, Craig Bezant from Dark Prints Press, will be tying it all together with his own short interludes, as well. The physical book will have rough-cut page edges for an authentic after-the-world-has-ended feel and sketches scattered throughout the pages. This will be an experience, I can assure you.

I can’t tell you how ridiculously exciting this whole thing is. With a release date in April 2012, I might even get a chance to chill out in the meantime – then again, I’ve been asked to join the publisher at a convention for the release, so that’s going to have me riled up plenty.

Biggest thanks to everyone for all your support in these past few months! Now if you’ll excuse me, I have more people to inform of the news!

~A

Happy Halloween and other things!

As it’s my annual two day super celebration, this is a short (and late) update! With the collective of Halloween, Beltaine, and my wedding anniversary falling on October 31st and November 1st for us, it’s a wonderful two days in our household!

I did want to share that my editing of TDM has been going AWESOMELY. I am so proud of where this story is going, and how much progress I’m making. It’s hard to measure; I cut words, I write more, I edit a whole chapter, then edit three preceding it. Whatever works – and it sure is working.

To tide you over until the next update, here’s a timely comic from xkcd:

xkcd: Alternative Literatue

May you all have a wonderful Halloween, and depending on your hemisphere, a blessed Beltaine or Samhain.

~A

Is this what we’re doing now?

You don’t have to say a thing. I already know.

I’ve skipped out on continuing one story in favour of hitting the eight-novella series again. The characters crept back into my head with some astounding clarity today. There were things that I hadn’t gotten right during draft one which I am confident I can fix and keep fixed through the series now.

I also got to have a very complicated discussion with the husband about magic theory. Scientific-based magic is a sneaky business. When the magic in my universe is just that much closer to known physics, I have to be even more aware of all the places I am intentionally stretching reality to fit in my brand of fiction. As I work through the theories, I bounce confirmations off the husband and get his input on the likelihood of one thing affecting another, or the limitations that must be in place.

One of the things that came up during this was the X-Men character, Magneto. The X-Men series is one of those things that has so much intense depth, I can’t even begin to do it justice by a few lines of explanation, but suffice to say, someone with the powers Magneto is given shouldn’t have any actual restrictions. He should pretty much be able to do anything, with no contest from the other mutants in that universe (besides the ones intentionally made even more undefeatable).

All magic requires limits, but certain powers need author-imposed restrictions that keep the character from being able to just do their thing and overcome the challenges with no effort, growth or progression. These are the most difficult scenarios for me, because they still need to live in that realm of believability that I am already applying to my magic theory. They also have to be hidden restrictions, things that don’t jump out at the reader as something I have used as a character-roadblock.

So with all this fresh and burning in my mind, I’ll be getting back to the first major edit of TDM. Then, should everything go well, I’ll charge straight on into finishing the first draft of SL. Yeah!

~A

“Might as well”

What a funny little phrase that is. Might as well. Shortened down from, “I had might as well-”, which would then include an action. Used when we see something that ought to be done, and we should just do it now and get it sorted out. Of course, it’s not always a negative context, nor is it necessarily something we want to avoid, but the choice to do it there and then is dependent on another contextual aspect.

This weekend was dedicated as a solid attempt at finishing a whole lot of projects all at once. This, of course, was a very ambitious plan and nothing was completed, but a lot of pieces got plenty of progress. Amazing what happens when you stay off the internet for a while, eh?

Tonight had a lot of ‘might as well’s included in my efforts to complete that work. When you’re crocheting, it comes up a lot, actually. See, there’s only a small amount left in the ball of yarn, so might as well keep going until it’s run out. Oh, there’s not much left of this row, might as well just finish it. That went so quickly, I’d might as well just do another row.

Maybe it’s just me that this happens to so frequently, but the more I consider it, the more I see how often I really do add to my tasks with a ‘might as well’. Made a batch of sushi? Might as well bake some cookies while I’m in the kitchen. Writing a blog post and think of another subject to talk about? Might as well jot down the outline while it’s in my mind. Out grocery shopping? Might as well stop in and get that other thing I need. Driving by Nanna’s place? Might as well drop in and see her while we’re out that way. Writing a novella? Might as well write eight. Okay, that one is an exaggeration, but only barely.

I think it has something to do with perceived efficiency. If you’re in the position to take care of something when you’re already there and not otherwise busy, it saves you from having to organise that trip, action, or effort at a later date, or makes sure you don’t forget something. In other cases, it can be one of those really sly, clever procrastination techniques. The ones that are perfectly legitimate, and you’re being productive in one area, but you’re simultaneously putting off work on something else.

As for tonight, and indeed this whole weekend, it was just me trying really hard to get a bunch of unfinished things finally completed. Right now, I’m eyeing off my notebook, honestly thinking, “Might as well write a little bit while I’m not doing anything else.”

~A

Aspiring

Maybe I’m just a grouch, but I’ve never been a fan of artists calling themselves “aspiring”. I know the word means you’re trying to be successful at something, and sure, we’re all trying that to one degree or other. But the usage of “aspiring” among writers and graphic artists tends to hint at a lack of self-confidence.

I suppose some part of that comes from exactly how it’s used: if we stuck to its exact definition, every artist and author is still aspiring, so long as they are always seeking to improve their work and aim at greater ambitions. At what point would you honestly stop and say, “Yes, I have achieved everything I wanted from this career.”? What defines success? How do we measure a person being a successful artist in any medium?

And here’s where it starts bothering me. “Aspiring” artists are always aspiring while they are undiscovered. At some point, a payment or contract is offered, and then they are just writers, or just painters, or just something else. They lose the “aspiring” prefix, to themselves and to others.

Being published is a huge step in any writing career, but it doesn’t imply success. Even significant monetary gain doesn’t automatically imply success. You can get a huge advance paid for your work, never earn out, and be unable to find another publisher to pick up your writing again. Or you can earn modestly through ongoing sales and royalties, but not see global recognition. Or so many other possible scenarios.

So why is a paid publication the main difference between being a writer, and being an aspiring writer? I don’t think we stop aiming higher and pushing towards goals after we’re published, therefore, we clearly continue to aspire.

It’s a part of my “job” to think too hard about words and their usage. If we continued to be classed as aspiring authors beyond the publishing contract, then I’d probably be fine with it. Since that’s an unlikely expression change, I’ll just go back to my usual response: if you’re writing, then you’re a writer. No prefix necessary. We’ll all secretly aspire for the rest of our lives, and that will be that.

~A