Changes over time

The more you practice, the better you get, right? I don’t know if that’s necessarily true, not in such simple terms. Certainly, you get more practiced the longer you are doing something, but does it really result in improvements?

Even with the knowledge that personal taste is a huge part of any judgement, I know of artists who have a career that spans many years and shows some kind of decline the longer they work in their field. With some graphic artists, the changes often show they have fallen into a simple, easy-to-repeat style. They simplify so they can keep producing their work. This is a kind of improvement; they are now more streamlined and capable of fulfilling their obligation to draw frequently. But it doesn’t make it better, artistically.

In that vein, some authors are so prevalent with their writing, you can see when they fall into a rhythm, a method to continue putting forth their creations with such astounding frequency. They work for years and keep writing, and even if you’re still entertained by their work, they have found ways to simplify and streamline, perhaps sacrificing something important along the way.

Maybe it’s the compulsive, habitual nature of humans that makes even artists fall back on something that’s almost uncreative in its repetition. Or perhaps some people just fixate on a specific style and consciously aim to recreate that, as their “tried and true” method. Or, heaven forbid, maybe we’re all only capable of producing our work in a limited number of ways, and it’s just when you’re able to see a large collection that it becomes evident.

These people are all very well practiced, and I’m sure they are very happy with the progression of their skill, but it doesn’t always work out better, as far as I can see. I have even noted in my own writing, new things might be put together with better skill, yet lack in some kind of special soul that an older work captured. At least I can put that down to most of it being unfinished, still in the process of becoming something better, becoming the attractive finished product.

I don’t like the idea of stagnation. I see patterns in my work, certainly, but I can only hope that there’s no decline in the quality just because I find ways to “improve” over time.

~A

A line between fiction and reality

Before I threw myself headlong into other projects, I strongly considered going back and finishing my romance novel, known as FiA. But I have a rather significant concern surrounding that story, and haven’t quite been able to work on it.

In its simplest form, the setting for FiA is natural disaster stranding the two main characters together, where they fall into some kind of love (romance, after all!). In the time between birthing the full plot, and when I was going to return to working on FiA, a very similar event actually occurred in the location my book is set in.

It almost feels insensitive for me to write my novel about this location, and about this kind of disaster, when in somewhat recent times that place has gone through such a terrible experience. My feeling is borderline irrational; the location has seen other such disasters over time (as with many places on this fine planet, you get hot-spots for natural disasters, like Tornado Alley). It’s part of why I chose that location. The setting is realistic, the events plausible.

My handling of the event in FiA is befittingly serious. I don’t make light of suffering, but it’s also not the direct focus of the story, since it’s pretty much just the catalyst for the characters to be together. I hope that, given enough time, I’ll feel comfortable in writing this book again. I was really enjoying the experience, and the little that I got through taught me a lot.

I have the capacity to over-think my work to a degree I hadn’t realised beforehand. Writing FiA made me see that I could get just as caught up in my version of the real world as I can in fantasy (writing descriptions of a place I’ve only seen in photographs is wondrous!). I know I haven’t finished with this story, but I don’t know when I’ll go back to it, either.

~A

Complicated types of taste

I don’t pretend to be very widely read anymore, because there are just SO MANY books out there, and I don’t have the time or inclination to consume them the way many others do. I don’t read books that are outside of my normal tastes very frequently, and even in some genres I only read a specific author. This doesn’t really bother me, though I do try to keep up with what’s new and interesting (or old and interesting!), because I have a certain responsibility to know what my chosen profession is doing, right?

So in my quest to remain somewhat attached to the comings and goings of the writing world, I still read books, and sometimes just for the sake of seeing what all the fuss is about. Occasionally, this means I read a really incredible book that is well worth the time and effort, and sometimes this means I am left in a state of wonderment that there should be anything considered remarkable about a book.

There isn’t a simple way to divide and define these books. What makes a person enjoy one story over another? It can be a case of fantastic characters, epic storytelling, or just a universal concept delivered in an accessible format. Maybe they are believable scenarios, or deep truths, or a subject you’re already passionate about. These traits don’t serve as a defining point, though. There are books that people love with honestly one-dimensional characters, then books that the same people will reject for having that flaw. I know this, because I make frank comparisons in my reading and I see myself doing it.

What makes a problem become a fatal flaw in one work, when it can be overlooked in others? Is it the cumulative quality that actually spurs our decisions, and we just put it down to the first simplified answer we come across? What’s worse, we learn all these rules about writing (that are surely for breaking!) and we appreciate why they are important, yet a book can come along and seemingly disregard all the important things you’ve ever learnt, and still be a good book.

I suppose the quest to understand what makes a story good is one of those endless, unanswerable things. Not just because everyone has their own personal taste, but because sometimes the things we love in one instance are the things we hate at other times. People are uniquely capable of these amazing contradictions. At the end of the day, there probably isn’t an answer at all. Not even to ourselves.

~A

Re-reading

I haven’t been reading very many new books recently. I’ve just been way more interested in revisiting stories I’ve already read through. I’ve acquired new books (or as is more likely the case, second-hand books which I haven’t read before), and just not found much reason to delve into them.

I try and analyse why I feel this way. There’s a lot to be said for already knowing I enjoy a story. I guess as I feel like reading time is some pretty prime real estate in my daily life, I don’t always want to use that time on a book that I may not love at the end of it all. When I re-read a story, it’s because I remember just enough of it that I know I will feel great about it afterwards.

I’ve never been one of those people who remembers a book really thoroughly, and that serves me extra well when I take to re-reading. I know the general gist of the story, but there are still parts that I don’t remember until I’m reading it again. Even in my most favourite book, which has been given well over twenty read-throughs, still gives me entertainment from my poor memory for details.

Of the new books I have read, I’ve enjoyed all of them. They’ve all been awesome, so the investment was well worth it. I don’t know why I am so hesitant to give the other books a chance, since there have been very few books in my life that I have actively disliked.

I think part of it, too, is that I love to re-read stories and see what makes them work. Why do I like it, how does the writer do it, what makes this story successful? Re-reading gives me new perspectives on books, because the first read-through is almost entirely for my enjoyment of a story. I don’t tear them apart until I already know what happens. So maybe my desire to read old books stems more from a desire to learn about the craft, even when that isn’t my total conscious decision.

Whatever the case, it’s always nice to meet up with old friends in good stories, and enjoy their tale once more.

~A

And now, a return to your regular viewing

I can safely say from August 9th through until today (September 5th, I note), I have done next to nothing productive. I actually went away during that time, and should have had normal internet to retain contact and updates, but just a fluke of location made the connection non-viable. Aside from that, with my cat dying, and being hit by the most god-awful case of influenza, I just lost a lot of time in the past month.

I have glimmers of awareness that I am, in fact, rejoining the land of the living. I can stay awake for most of the day! For a while there, I was actually sleeping some obscene amount, over 20 hours a day. That is unheard of in my life, so there’s some gauge for the severity of my illness and despair. I’m also hungry. You can always tell that I’m on my way back to good health when eating becomes a priority again.

With my experiences to reflect upon, I have come to terms with the fact that I have absolutely no way to focus on my writing whenever I go away. I take my equipment, I intend on using spare time to keep working, and it NEVER happens. Ever. So I accept that I am not an out-of-house writer.

It was a surreal feeling to truly quantify how long it had been since I was even mentally in my story world. I considered this while I was still pretty ill and prone to sleeping all day, so the thoughts were kind of hazy. I was actually wondering what I used to do, before all this, before the month. Who was I? What was important? It was like my characters were under an invisibility cloak, and I had suddenly realised the room was very empty. So I searched, and I came across an anomaly in all that blankness, something from a half-remembered dream. I used to write. I have people waiting for me, stories not fully told.

It didn’t all come rushing back in some blaze of creative glory. I was probably in the middle of drifting back to sleep, but the knowledge had been released, freed from the cone of silence. I thought of names and faces I hadn’t considered for almost an entire month, of their plans and conflicts, and it was weird. Weird that I hadn’t thought of them, when they had consumed so much of my mind previously. Weird to think about them again, and not have the clarity of the constant, immediate work on their story, but also weird because there was that secret little passion tucked away with them. The one that makes me a writer. I remembered their story, and it began niggling in the back of my head. I want to read what I’ve already written, and throw myself back in. I need to.

So maybe to say I’ve rejoined the land of the living isn’t entirely honest. I’ve woken up, though. I’m here. The part of me that doesn’t just lay around and feel sad and lost is gaining ground, gently soothing back the parts which are still tired and raw. And I missed you guys. I like my collection of internet peoples, you’re all so bright and interesting! It’s nice to be aware again. I hope your month hasn’t been anything like mine.

~A

Chichiri

You were a tiny grey streak of lightning. It’s almost hard to believe we saw you at all. Your mama cat had brought you to our garage, knowing we feed the locals. Every cat on the block must know about this house. I had to wait patiently, watching under the car, and behind the cupboards, to finally see your bright face. Such a little thing, with unease for these unknowns, frightened of sounds and hasty movement. But you were already full of love. You would jump up to bump your head against the underside of the car (getting a bit greasy in the process), and you would rub all along the wall, and sometimes you would get so caught up in your love that you would accidentally rub against my knee as well.

I brought you fish, and you were an immediate fan. I don’t think you had been brave enough to come and get the kitty biscuits by the front door, and you were just a tiny kitten anyway, they weren’t ideal food for you. We got to know each other, with little pets and a bite or two when you were startled. By the time I could stroke your soft grey fur and have you sit in my lap, I decided you needed to come inside where it was warm, and there would always be fish for dinner. I placed your next meal inside the cat carrier, and you trotted inside without a second thought!

You didn’t like the bathroom and scared yourself more by trying to climb the shower curtain than anything else. We picked you up and made you lay in my lap, where you purred and purred. In that moment, you decided that inside was okay, because there was fish, and there were lots of soft pettings and your new favourite: chin rubs.

You grew into such a big boy, getting longer and longer. All the proportions of a lanky teenage lion. You would run and chase and always talk to me. You became known as our fancy cat, because you pranced around and liked to jump and twirl, and carry toys in your mouth. Regular cat toys seemed too small for you, and I brought home the big fuzzy orange Rat-Rat, which you loved immediately. There was a toy you could really rough-up, and you could still carry it around as you pleased. You were cheeky, scratching on the carpet right beside your scratch post and stealing socks.

It was always time for love, and you were glad to be picked up and cuddled. You also gave hugs by standing on your back legs and stretching up, pressing all your body against me. You followed me around the house and ran to the door to see the birds and chittered at them with your long whiskers flickering. You laid on the topmost platform on the cat tower, but you preferred to sleep somewhere near me. Shiny things on the floor made you nervous, and you had to bat at them to ensure they were no threat. You knew my tone of voice when I was calling you to chase a bug.

I don’t know what happened to take you away at only two years old, far too young for any cat to die. I just know that you were my kitten, and I miss you. I love you, Chichiri. I know you’re being fancy somewhere, my beautiful boy.

~A