Dinner, and the weather

I guess some people have a problem with writers including observations of the weather in their stories? I don’t understand that. I love weather, and it’s always something I’m aware of. My favourite weather is the cold and rainy days that dim the sun and make me just want to curl up beside a fire, favourite book in hand and a tidy selection of Royal Gala apples available to eat throughout the day.

For me, including a small note about the weather or the season in my writing is just a natural thing. I don’t do it constantly, and I definitely don’t have any preconceptions about “dark and stormy nights”, because all my dark and stormy nights have been perfectly normal, or simply thrilling in the way lightning has filled the sky with wild blue and white bolts. Sure, it’s not essential, but there’s that degree of normalcy for me, and it can go a long way towards explaining character behaviours or putting additional conflicts in their path (the need for shelter from the elements, for a start).

On a vaguely unrelated note, I notice that fantasy works often discuss foods. Not only that, but the foods are frequently all of the “hunted a boar, roasting it now” variety, complete with mead, ale, or some wine or other. There might even be trenchers of bread! Dark bread, and rich gravy, and hard cheese. If you’ve read any more than a handful of fantasy novels, you know exactly what I’m talking about.

I am personally a big fan of eating. Food is awesome, sharing meals with loved ones is a special thing, and it’s just damn tasty. So I have a similar preoccupation with food as I do with the weather, but I’m not as driven to write about banquets, feasts and other such typical meals. I lean toward just include foods as a part of another scene; maybe the characters are preparing a meal as they talk, or they are interrupted eating to attend to other matters.

I think my take on weather and food is part of my “style”, as it is intrinsic to me. Without those little additions, I don’t think my stories would have the same sense of life to them.

~A

The story of names

To lead off with, I completed the full first draft of my fantasy novella, currently known as TDM, sometime late Sunday. I am super pleased with having it finished, and I’ve jumped straight into writing the draft of its sequel/series-mate because I am so enthusiastic about this collective piece!

[Side note: I haven’t been able to update Facebook at all since Saturday, so that explains my sudden silence/lack of updates!]

If you’ve seen my projects list (found on the Ashlee’s Writing page), you might notice that some of the abbreviated names have changed. This is a large part of why I don’t list the projects by their full titles; when they are a work in progress or even just planning stages, the name of the story can change in a snap. Book two, now AEN, didn’t have a firm title until yesterday, and the name itself will help shape the direction the story goes (it fills in a small but significant detail).

In traditional publishing, it’s pretty commonly known that the author’s chosen title can change. That was always one of the things that concerned me about eventually shopping my work around. They say don’t get too attached to the name, but the name of a thing is a very important aspect of its whole. And frankly, I know of more than enough books which have been printed with pretty terrible names (and worse covers), so I can’t imagine the industry as a whole is that much better at naming than I am.

Character and place names are also significant, and can take a lot of work to get right. Sometimes when I’m writing these fantasy stories, I get really nervous that my naming treads are getting… you know, too “fantasy”. What kind of notion is that! I know that I’m generally very reasonable about creating names, too, but when my main character ends up with something four syllables long, I worry that others might see it and think, “wow, that’s really clichéd”. But it suits her. And after 40,000 words with her, it feels completely natural.

But the concern is there, and I admit that. When you’re creating locations, mythical races, and people who wield magic, some names fit, and some don’t. I’m the kind of person that puts heaps of thought into the naming of things. The spelling, the way it’s pronounced, how the name looks in text, it’s all taken into consideration. This goes for all names. Book titles, people, whatever needs its own proper noun.

I still haven’t settled on a name for the whole series, either!

~A

The Process

My readers should already know of the wonderful Lisa Kilian (some of you are here because of her!). From her blog, What Not to Do as a Writer, comes an entry that immediately got my brain-gears grinding and banging away in a fit of “HEY GO WRITE ABOUT THIS THING NOW”. Check her entry, then read on! Mistake #110: The Writing Pedestal

The Writing Process. It’s a big thing, isn’t it? I don’t really understand the whole “muse” business, because I have known for many years that all creation is just living, experiencing, and really thinking, which condenses down into creativity, to burst out covered in this muse-like goodness.

I also don’t comprehend routines and rituals. I change too much to feel like there is one special key to unlocking my writer self. There’s no one thing that I always want to do, there’s not a single place that I have dedicated as my “writing space”, and there isn’t a specific time of day that I work best at. If I have any ritual to writing, it’s thinking a whole lot, then writing.

I write anywhere I want, on whatever suits me at the time. Notebooks (filled two in a quest to write a novel; it’s on hold while other projects get finished, and also while I come to terms with having to copy all that writing onto my computer). Shoddy old computers which CRASH WHEN YOU SAVE. I currently write on my mini laptop, a white and mint green EeePC, using my fullsize USB keyboard (the one with the bad W key that I have learnt to press just a little firmer to get it to work).

I write in our living room, bedroom, or the back room where the cats like to chitter at doves in the garden. Sometimes I write in the car (the joys of both notebooks and miniature laptop computers). I write when people are doing things around me, or I don’t, because those things are either interesting or maddening. I write to music, and I stop to sing along, and I get hungry and go make a sandwich.

Mostly, though, I just sit and write. Or sit and look at the ceiling. Or sit and have cats come out of nowhere to lay on my lap so I have to somehow write around them. And the words come out because I’ve been thinking about writing when I’m not physically writing. More than half of creating any story is thinking about it. Then scrambling to find a scrap of paper because I thought of something awesome!

The Process is thinking, a lot, then just banging it out and seeing what can be done with it later. The Process is not caring when I’m writing something dumb, and I know it’s dumb, because I can fix it in revisions. The Process is writing in a daze when I’m half asleep, and writing in a worse daze when everything is working perfectly. The Process needs no more than myself, my thoughts, and some (in)convenient writing implements.

The Process is getting angry and giving up. The Process is starting again. The Process of writing is to write. It’s not magical, and it totally is. It’s internal, and external. It’s all the times in life when I’m not writing. It’s the collective of my thoughts, and the thoughts of others, and the madness necessary to create.

~A

How late is too late?

We all have old, half-finished manuscripts lying around. Some of them are even a full first draft that we never finished editing. I’m currently sitting on two significantly aged stories, ones which I wrote quite a handful of years ago. Their levels of completion mean that I’m not totally open to abandoning them entirely, but time has been cruel to these two, and I can see just how damn young I was when I wrote them.

Growth as a person will give anyone a new perspective on life, and make us create new situations, new characters in our work. Expansion in knowledge means that years down the track, you start wondering, “How did I ever think this was a good idea?”, or, “How didn’t I see that plot hole when I wrote this?”. And the dreaded knowledge that the work isn’t marketable until it has had a total overhaul, potentially to the point of changing genre (you never were a sci-fi writer, after all).

When do we decide that a project has served its purpose and it is better to leave it in the fond depths of our memory? How much work is too much to revive an old story?

The way I see it, as long as you have ideas, there’s always something salvageable in a piece. Maybe not any of the words you wrote before. Maybe that entire draft has to be scrapped. But a draft isn’t the story; it’s just the things you scrabble at until you’ve carved something beautiful. If you still have passion for the story all this time later, then it’s worth it. It’s not really any more work than a new story. You already know where you went wrong the first time!

One day, I’d like to bring out the old works and make them into something amazing. With new knowledge, with greater understanding, with entirely new ideas and a whole reason to write. If you know where the story can go, and you know what the characters will do, you can remake the manuscript.

~A

Full moon darkness

I notice that we get to see the moon a lot during the day around here. There is something haunting and beautiful about it sitting in the sky, the pale grey of clouds, but round and still where it waits for the planetary kind of spin that pushes it to other skies. And of course, when night falls, the brightness! How it reflects the sunlight lets the darkness become its own kind of beauty. The contrast is all it takes to change the moon from a gentle addition, to the centre of your attention.

I think that most feelings, emotions, are at their peak when something is there to contrast them. When writing horror, the scary bits need to fall inside reassuring moments. Romance comes with a helping of distrust and heartache. Dark fantasy is contrasted when there is a bright, vivid moon shining down upon it, the beautiful moments that show you just how twisted everything else really is.

Even in shorter fiction, there has to be particular contrast, so the readers, and indeed even the writer can see just how poignant the central theme is. And sometimes that theme can blend into its surroundings first, waiting for the moment of contrast to truly show how important it is.

These thoughts come to me when I feel like I’ve perhaps deviated too far from course. When the scene runs on into characters sharing love and laughter in the lead-up to a challenging moment, I stop and realise that without these moments of brightness, the dark would not seem so expansive.

~A

A multimedia booklike experience

Ideally, I aim for some kind of cross-media experience to accompany my eventual book releases. I love the idea of artwork, music, and special edition items to go with my work. Pictures of the characters would be an absolute must, and maybe some action scenes or a couple of the more exciting locations drawn up, too. A website where people can download theme music for the different places and people in the stories. Pocket versions of my books where they are printed all small and super cute!

Ambitious, much?

Half of this, I could probably manage with a pile of help from my talented and creative husband (who is an illustrator and songwriter, among other things). Things like the pocket books, and including high quality art prints with sales would be a deal I would have to wrangle with my publisher. And we all know that publishers tend to have their “tried and true” method for making books, and it probably wouldn’t be seen as profitable enough to step outside the boundaries of normal publishing.

But a girl can dream. Goodness, half my profession is made of dreams and fantasy, so what’s another mad idea on top of the rest!

Since I am a big fan of videogames and cartoons/anime, as well as enjoying a good movie, I tend to think of my stories in a very visual mindset. If I had the opportunity to make a graphic novel, or an animated series from my books, I already have all the pictures in my head. To be totally honest, it would make me deliriously happy to animate some of my stories. Maybe one day I’ll put some of my other extensive hobbies on hold and get to work on that kind of project. In the meantime, I’ve still got new books to write, and they are eagerly demanding my attention. And I have nothing wrong with that!

~A